Most of Frida Kahlo's work depicts her split between her European and Mexican identity.
<h3 /><h3>Who was frida kahlo?</h3>
She was one of the most recognized Mexican painters worldwide, whose works portrayed issues of identity, gender and social class in society.
Therefore, in one of her works of art, entitled "Two Fridas", it is possible to perceive her painting using two clothes that represent her European and Mexican identity.
Find out more about Frida Kahlo here:
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I believe the correct answer is: material that the lens is
made from.
Lenses are engineered to have
specific focal lengths, besides the curvature of the two sides of a lens. The
focal range, the distance between your optic nerve and the retins in lens, of
the lenses is determined by the material that lenses are made from.
Answer:
Still life was an important genre to Cézanne, who made approximately two hundred such paintings over the course of four decades. In Still Life with Fruit Dish he created a shallow, compressed space that flattens the sculptural volumes of dish, glass, and fruit.
Explanation:
Answer:
Explanation:
Surrealism, movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
