Answer:
Explanation:
What could be a worse fate for a modern American female poet than to be lumped into a nebulous, chauvinistic and ever slightly misogynistic pool of cess stereotyped as a “domestic poet.” Anyone unfamiliar with the term coming across it from the first time in reference to a female poet might well believe that domestic poetry is sweetly rhyming verse taking as its subject situations like getting the kids into the van for soccer practice, making cookies for the PTA meeting and, of course, a litany of hatred expressed toward husbands who are never there to help with domestic issues.
Never mind that Robert Frost and Walt Whitman and Wallace Stevens have all at one time or another found a niche within the broadly defined movement or genre of domestic poetry. Which, for the same of brevity, shall be termed poetry dealing with the commonplace of everyday as opposed to epic tales, transcendental unity of man with nature, mysticism, avant-garde experimentation with form over content and various other assorted and sundry types of poems with which the average person cannot relate. Linda Pastan, in other words, writes poems in which she consistently returns to touch upon universal themes dealing with family and relationships and the difficulties of normal existence and the emotional distress of just getting up and living live as it comes.
The tension that always exists between members of a family regardless of the definition or connotation applied to the term “family” has been a great source of inspiration to Pastan from her earliest verse and throughout her development and maturation. By contrast, an equally concentrated examination of the tensions introduced by religious and spiritual expectations has tended to dissipate throughout that process of growing older and becoming more domesticated. In its place Pastan has created a body of work that is far more elegiac and meditative and, it must finally be admitted, less domestic. With the introduction of a more melancholic and reflective poetry that moves into a greater sense of isolation and a solitary contemplation of tactile nature rather than abstract spiritualism, Pastan succeeds in tossing off whatever chains may have been tied around her verse as a result of the unfortunate constriction of trying to pigeonhole her as merely a domestic poet.
Answer:
23. 1920s and well
24. Golden retriever and greatly
25. finally and extremely
26. Large and carefully
The main idea of the article is;
- B. Anthony Ramos has found success in Hollywood while maintaining his identity and cultural background.
In this article by Ale Russian, we learn of Anthony Ramos who has a Puerto Rican origin. He struggled to attain success in Hollywood.
According to him, he nearly gave up acting but a show called <em>Heights </em>revived his passion. Today he is featuring in the movie musicals <em>In The Heights</em><em> </em>where people's cultures are celebrated.
Ramos has attained success in Hollywood but he still values his roots and that is why he appreciates the "Carnaval del Barrio" scene where everyone held up their flags.
Learn more here:
brainly.com/question/22796895
Answer:
Hark, more knocking.
Get on your night-gown, lest occasion call us68
And show us to be watchers. Be not lost69
So poorly in your thoughts.70
MACBETH
To know my deed, ’twere best not know myself.71
Knock.
Wake Duncan with thy knocking! I would thou could
Explanation:
