Please help me this one is a little difficult

Which year did the following Inventions take place?

drek231 [11]

Answer:

1935 ⟹ The Kodak company developed the first colored film

1835 ⟹ William Henry Talbot created the world's first negative

1987 ⟹ Fuji* produced the first disposable camera

1889 ⟹ George Eastman invented celluloid film

1871 ⟹ Richard Maddox developed the dry plate process

*I think you meant to write "Fuji" instead of "Full" in your question

Explanation:

1935 ⟹ The Kodak company developed the first colored film

In 1881, George Eastman Kodak used Charles Harper Bennetts' upgraded gelatin silver bromide technique to create the Eastman Kodak Company. Kodak launched the first roll-film camera by the year 1888, which officially marked the start of the Kodak company. Finally, George Eastman Kodak introduced the Kodachrome color photogram in 1935.

1835 ⟹ William Henry Talbot created the world's first negative

William Henry Fox Talbot initially invented the process of creating multiple positive prints from negative film. This was a major modification to the Daguerreotype process. In 1835, Fox created the very first negative image. To do this, Talbot made a paper that was sensitive to light, using what was known as a silver salt solution. When the paper was exposed to light, the background became black and any subjects in the image were colored in gradations of dark to light grey.

1987 ⟹ Fuji* produced the first disposable camera

Fuji (aka Fujifilm) produced the first disposable camera in 1987. This was a rather revolutionary invention. It allowed everyday people to be able to take pictures without having to be an experienced photographer. The person using it didn't have to develop the film themselves. The photographer had to take the camera to the store and there, they would extract the film and develop the photos.

1889 ⟹ George Eastman invented celluloid film

The invention of the celluloid film was would change the game of the photography and movie making industry. Eastman Kodak invented the celluloid film in year 1889. With this film, the film base was now bendable and unbreakable. Because this new film could be rolled, it allowed more than one exposure surface to be contained in the camera.

1871 ⟹ Richard Maddox developed the dry plate process

In 1871, Dr. Richard Maddox developed what became known as the dry plate (negative) process. During this process, a glass "negative" plate would be lightly layered with a type of gelatin emulsion that was completely dry. These dry negative plates would later become mass produced in hundreds of factories by the year 1878.

8 0

3 years ago

PLEASE HELP!!!!!

san4es73 [151]

After a design by Robert Adam ... Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art ... But one should be on one's guard. Abbé Marc Antoine Laugier (1711–1769), author of the influential Essai sur l’architecture (1755), argued for purity of form in building. The book’s frontispiece shows a rustic hut composed of still-living trees. Laugier explained, “The pieces of wood raised perpendicularly have given us the idea of columns. The horizontal pieces which surmount them have given us ideas of lintels. Finally the sloping pieces which form the roof have given us the idea of pediments. That has been recognized by all the masters of art. But one should be on one’s guard. Never has an idea been more fertile in its consequences.” Laugier’s writings gave support to the view that harmony and grace were principles laid down by nature herself. The rustic hut had been praised by the Roman writer Vitruvius (active late first century B.C.), and for Laugier it was a model for simplicity and the elimination of superfluous embellishment. As eighteenth-century architects were exposed to such ideas, the Greek temple with its mathematically proportioned columns and pediments was reborn as mansion, church, bank, museum, or other commercial institution.

Jacques Germain Soufflot’s (1713–1780) Church of Saint-Geneviève (now the Panthéon) was one of the first Neoclassical structures in France, heralding the simplification of churches that became increasingly classical in inspiration. In England, the leading architects were Richard Boyle (1694–1753), Colen Campbell (1676–1729), and Sir William Chambers (1723–1796), disciples of the architect Andrea Palladio (1508–1580) and called Neo-Palladians. Author of I quattro libri dell’architettura (Four Books on Architecture, 1570), Palladio took Vitruvius’ De Architettura as the foundation for his own study of classical forms, and the resulting designs were directly incorporated into the plans of the Neo-Palladians. Mereworth Castle, Kent (1722–25), is a British country house whose structure is derived from Palladio’s Villa Rotonda in Vicenza. Palladian-style architecture spread rapidly and was favored by wealthy patrons as an expression of their rank and judgment. The style appeared in the United States in the work of Thomas Jefferson at Monticello and the Rotunda, University of Virginia, Charlottesville (1823–26). The Neo-Palladian style gave way to the innovations of Scottish architect and designer Robert Adam (1728–1792), whose interiors such as the Etruscan dressing room at Osterley Park, Middlesex (ca. 1775–76) were drawn from a repertory of classical motifs culled from design literature and his own travels.

Furnishing such elegant interiors were a rich variety of decorative arts for which ancient models were transformed into gilt-bronze ornament, silver, pottery, and porcelain. Paris, in particular, was a great center of production for objects of le goût grec (Greek taste). Eighteenth-century Parisian cabinetmakers Georges Jacob, Martin Carlin, and Jean-Baptiste-Claude Sené freely employed classical motifs in their pieces (1971.206.17; 1977.102.9). Lavish dinner services were issued in porcelain and silver to grace aristocratic dining tables as symbols of status (1997.518; 33.165.2a–c). Miniature biscuit reproductions of noteworthy antique sculptures also decorated the dining table, mantelpiece, and bureau (2001.456), along with classicizing busts of leading intellectuals, political and society figures, and theatrical performers by Jean Antoine Houdon (1741–1828) and Augustin Pajou (1730–1809). Neoclassical taste was perhaps most industrially promoted in England by the pottery firm of Josiah Wedgwood and Thomas Bentley, which produced trade catalogues (in English, French, German, and Dutch) of its wares made after engravings and plaster casts of classical pieces. Another leading design publication was Robert and James Adam’s Works in Architecture (2 volumes, 1773, 1779), which, in addition to building plans, included engraved designs for tables, chairs, mirrors, wall lights, clocks, and doorknobs. In America, furniture makers and silversmiths were directly inspired by English models and ornament prints and books.

Outside the home, classically inspired architecture and other structures like tombs, small temples, and bridges were often strategically set into “picturesque” landscapes. Such landscape gardens were not re-creations from the ancient Greek and Roman world, but instead were made to showcase monuments and encourage contemplation. Inspired by seventeenth-century idyllic Italian landscape paintings, particularly those by Claude Lorrain, these gardens were designed to be seen like pictures as the viewer walked from one carefully constructed vantage point to another.

6 0

3 years ago

Trace tacking is made with

SashulF [63]

Coarse tacking thread

6 0

3 years ago

Read 2 more answers

The UConn women's basketball program is among the nation's best however they play in one of the weaker conferences.

Ad libitum [116K]

Answer:

The correct answer is A.

Explanation:

the reason for this is that in this case , "however" is being used as a conjunctive adverb or a adverbial conjunct i.e however is an adverb in this case acting as a conjunction.

As these two are independent clauses( a group of words that contain a subject and verb and delivers a complete thought) written before and after "however". so , however is used to separate two independent clauses with a semicolon before it and a comma after it .

IN SHORT, WE USE A SEMICOLON AND A COMMA WITH "HOWEVER" TO INTRODUCE A NEW INDEPENDENT CLAUSE IN A SENTENCE.

so the correct option would be A.

4 0

3 years ago

This Unit has taught us that documentary photography produces a historical record of an event, place, or person. Wilkes shares h

mart [117]

Answer: yes I would and yes

Explanation:

5 0

3 years ago