Answer:
Fear in Literature Introduction
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Introduction
(TWENTIETH-CENTURY LITERARY CRITICISM)
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Fear in Literature
The subject of fear, whether in the form of neurotic anxiety or supernatural terror, is among the most prevalent in literature. A common element in the motivation of character and a dominant motif in contemporary fiction, the psychological and aesthetic qualities of fear have demanded the attention of literary critics since classical antiquity. Generally, critics see the specifics of literary fear both as a function of historical time and as a constant feature aroused by the human dread of the unknown or unknowable. The latter sort of fear has since been largely identified with the term Gothic, which was culled from the eighteenth-century vogue of the romantic novel of terror in a medieval setting. Popularized by such writers as Ann Radcliffe and Matthew "Monk" Lewis, the Gothic novel gave way to the modern genre of horror fiction with its ubiquitous treatment of supernatural forces that conspire to victimize and destroy human beings. Writers in this vein exploit what have become stock effects—the physical isolation of the protagonist, suspense and misdirection, and the introduction of a shadowy "other" or mysterious evil—to excite readers. A parallel line of development in the literature of fear is illustrated by the work of Edgar Allan Poe, in which psychological aberration coupled with an evocation of the uncanny and the macabre play the primary roles in creating an atmosphere of terror.
Answer:
a. It is biased because it reflects an attitude about one of Thomas Young's ideas.
Explanation:
The given excerpt from "The Riddle of the Rosetta Stone" by James Giblin which became the inception for the study of ancient Egyptian history. In his book, Giblin projects the ideas and opinions of Thomas Young in his attempts to decipher the stone's hieroglyphics. Although Giblin believes Young may have contributed valuable information regarding the stone writings, he also believes that Young's ideas are sometimes biased.
Like for instance, in the given excerpt in the question, he mentions one such ideas of Young where he "<em>made a leap of the imagination"</em>. In cases such as this, it is important to find or provide actual proof, rather than depend on <em>"inspired hunches"</em>. Thus, this passage is a biased one as it reflects one of Young's attitudes.
William shaekespeare wrote thosre
