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The answer is 3
Explanation:
These sentences are showing that the U.S wants to get more land to make their country more bigger/expand.
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The most common form of rule in world history has been monarchy (from the Greek <em>monos</em>, "one," and <em>arche</em>, "power"). It is an unipersonal, hereditary and lifelong form of government. The Head of State is the king (or queen), the prince or the emperor. Although monarchy was at first absolute (the ruler had absolute or total power), it then evolved into a limited form (the ruler needed the help of the most powerful members of society) and finally into a constitutional form (the ruler is primarily a symbolic figure and the nation is governed by a parliament).
At present, the monarchy is the form of government of a few countries around the world, such as Spain, England, Japan and Denmark, to name a few.
<span>The surplus of food can supply a larger community of people. That means that families are able to reproduce and grow comfortable without the increase of people cause everyone to have less to eat. With abundant resources, ever member of the community will still get the same amount of food resources, without experiencing any deprivation, even with more mouths to feed with those same resources. That also eliminates the need to expand the food resources in order to make accommodations.</span>
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Wholesome in the most “pull yourself up by your bootstraps” brand of mythical Americanism, “12 Mighty Orphans” is engineered to rouse emotions with uncritical pride, never reaching the less immaculate corners of the historical period it employs as canvas.
As schematic as they come, this is a movie about football innovation and good people helping parentless teenagers transition into more self-confident young men. Reworked from Jim Dent’s novel, about the real 1930s-1940s Mighty Mites team from the Masonic Home and School of Texas, this on-screen reformatting directed by Ty Roberts is competently pedestrian.A country emerging from the Great Depression serves as backdrop. President Roosevelt has put the New Deal in motion and the nation thirsts for hopeful stories that speak of a better tomorrow for all. Enveloped in that sentimentality is teacher, coach, and war hero Rusty Russell (Luke Wilson). He moves his family to an orphanage, the Masonic Home, to impact the resident boys’ lives through academics and, more vehemently, on the field.
Deployed early on and repeated throughout, bombastic editing choices call back to Rusty’s days on the battleground, creating visual parallels between war and football. These bits, which intermingle archival footage and black-and-white reenactments, cheapen the otherwise visual pleasantness of David McFarland’s cinematography (even if he likely shot those unfortunate snippets too). The majority of the boys we meet, including the ones that make the cut for the dozen in question, don't get much of a backstory; some never even speak. Hardy Brown (Jake Austin Walker), the requisite unruly sheep, is the notable exception. Following both biblical parables and clichés pertinent to movies about coaches and underdog teams, he is the prodigal child that eventually comes around proving himself indispensable. Without Rusty saving him, he’s the MVP that could have easily gone MIA.
Pent up anger permeates Walker’s performance. His dangerous self-destructiveness and pessimism give “12 Mighty Orphans” a slightly edgier tone. He cuts through Russell’s saccharine determinism, in spite t characters.
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Explanationonce upon a time I pooped bigExplanation:
