Answer:
But my assurance was ill-founded, for in spite of all my coaxing, Nab only circled round and round me until I was dizzy trying to keep track of him.
(Note: There could be some definite improvements for all of these sentences. What I'm about to say may not be consistent with how other people learned.)
Explanation:
"At the sound of my voice there was a sharp little bark from behind, such as Nab alone could give when I had an exceptionally delicate morsel for him."
The sentence, "At the sound of my voice there was a sharp little bark from behind" is an independent clause; there should be no comma after an independent clause.
"But my assurance was ill-founded, for in spite of all my coaxing, Nab only circled round and round me until I was dizzy trying to keep track of him."
For is a conjunction; any conjunctions after an independent clause are fine.
"Nab suddenly made a dash so close that his flippers brushed my side. He snapped the fish out of my hand, and in the same instant he was again beyond reach."
There needs to be a comma after "instant" so that it would make an independent clause after it.
"By this time I had begun to feel pretty well exhausted, and when I suddenly thought of the undertow, I decided to swim back."
A comma should be placed after "time" to make an independent clause after.
Its kind os hrad to explain but in an chose its would be a
-the fanciful treatment of material
Answer:
I and III
Explanation:
Figurative language is a literary device that allows the author to express a message with non-literal and subjunctive meaning, through words and phrases that do not express their real meaning, but that require the reader's reasoning to interpret and understand them. This type of device is used to give more expression to a word or phrase and makes it more poetic and expressive. As an example we can use the phrases:
I. “The fog comes/on little cat feet.”
III. “on silent haunches/and then moves on.”
<span>The novel is told in flashback - at the start, we meet Ruku as an elderly woman reflecting on the events of her life. This structure allows Ruku not only to narrate her life experiences but also to analyze them, helping the reader to see how she learned and grew from each event. The novel is also divided into two parts: Part one covers the majority of Ruku's married life; the much shorter part two deals with Ruku and Nathan's failed attempt to move to the city after losing their land and contains the falling action of the novel. The first chapters (Ch. 1-3) deal with Ruku's transformation from an uncertain child bride to a confident young wife and mother. These chapters are mostly without hardship - the family is poor but has enough to eat; Ruku and Nathan begin to realize they will never own their own land but have hopes that their children may some day rise out of poverty. The one obstacle Ruku must overcome, her temporary inability to have sons, is nearly forgotten after she has five sons in as many years</span>
