14. The answer is "The subjects of impressionist art often reflect real people and real places."
Impressionist art damages all conventional scholarly standards of masterful painting when it initially showed up in the nineteenth century. The goal was to depict the craftsman's perceptual impression and reproduce this impression to the eyes of the viewer, as opposed to reproduce subtle elements of a reality as observed by the craftsman.
15. The answer is "Frida Kahlo had a stormy marriage to the artist Diego Rivera."
Mexican artist Frida Kahlo and Diego Rivera painted each other for 25 years. When they wedded, her parents called them 'the elephant' and 'the dove'. He was the more established, commended ace of frescoes who restored an antiquated Mayan painting convention, and gave a distinctive visual voice to indigenous Mexican workers looking for social equity following quite a while of frontier abuse. She was simply the more youthful, mythologising visionary, who mystically wove from puncturing thoughtfulness and interminable physical torment artistic creations of a serious and secretive magnificence. Together, they were two of the most imperative artists of the twentieth Century.
16. The answer is "The adage that "rules are made to be broken" applies to symbolism."
Symbolism is the training or craft of utilizing a protest or a word to speak to a conceptual thought. An activity, individual, place, word, or question would all be able to have a representative significance. At the point when a creator needs to recommend a specific temperament or feeling, he can likewise utilize imagery to indicate it, as opposed to simply glaringly saying it.
