B: Speech that expressed protest or promoted violence was increasingly protected. (APEX)
Answer:
Langston Hughes was one of the most prolific writers of Harlem Renaissance era. Hughes’s works are best known for the sense of black pride they convey and Hughes’s implantation of jazz into his poetry. In 1926, Hughes wrote the critically acclaimed essay, “The Negro Artist and the Racial Mountain” for The Nation magazine. In this essay, Hughes scolds artists who shy away from their racial identity to satisfy fearful Negros and white audiences. Hughes’s message to white audiences recognizes their interest in black art for means of stereotypical entertainment. Some of Hughes’s most powerful poems, including “I, Too” and “Freedom,” serve as keen evidence of the blasphemous behavior of Negro artists and white audiences of his time.In “The Negro Artist and the Racial Mountain,” Hughes speaks of a young Negro poet who has proclaimed he does not want to be an African-American poet, but instead, just a poet. Hughes associates this comment with the Negro poet meaning he would rather be a white poet and a whiter person. Nina Baym cites the evidence of Hughes’s outspoken protest on this matter, stating, “Early and late, Hughes’s poems demanded that African Americans be acknowledged as owners of the culture they gave to the United States and as fully enfranchised American citizens” (Baym 2027).
Explanation:
The Democratic Party. Who were major supporters of political machines.
Answer:
food and environmental crisis
Explanation:
Explanation:
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The Native American response
The other major players in this struggle for control of North America were, of course, the American Indians. Modern historians no longer see the encounters between Native Americans and Europeans through the old lens in which “discoverers of a New World” find a “wilderness” inhabited by “savages.” Instead they see a story of different cultures interacting, with the better-armed Europeans eventually subduing the local population, but not before each side had borrowed practices and techniques from the other and certainly not according to any uniform plan.
