<h3><u>Two dissimilar things is Whitman comparing when he uses the metaphor of a little house:</u></h3>
The poet Walt Whiteman has talked about the perfumes or smell of anything like a metaphor. He has related the sense of smell with the memories. He has talked about the smell of a house or a room. Also, at the same time, he has talked about the smell of books in the shelves.
The two dissimilar things he has mentioned which were specific about the house memories. One is the smell of the house or the room and the other is the smell of the books on the shelves. All the above two things remind us about our past memories.
Answer:
The house is not enchanted nor does the landlady possess magical powers.
Explanation:
Roald Dahl's short story "The Landlady" revolves around the story of Billy Weaver and his encounter with a strange landlady in whose "Bed and Breakfast" he was staying. The story ends unresolved, leading the readers to imagine for themselves what really happened in the end.
Billy Weaver had arrived at Bath for the first time to start his job. As he doesn't know anyone, he decided to stay in a hotel for the time being. While looking for a reasonable place to stay, he came upon a small sign that says<em> "Bed and Breakfast"</em>. And he was hooked as if some strange spell was pulling him towards the place. Even the landlady seemed to have been expecting him, for she opened the door right after it rang.
There seems to be no indication that the place was enchanted. But at the same time, there are certain elements that seem to suggest to that. the narrator reveals <em>"his eye was caught and held in the most peculiar manner by the small notice that was there. BED AND BREAKFAST."</em> He continues, <em>"Each word was like a large black eye staring at him through the glass, holding him, compelling him, forcing him to stay where he was and not to walk away from that house." </em>But this doesn't prove that the place is enchanted.
Moreover, the landlady doesn't have any magical powers, rather she was a killer.
Answer:
1. Say the dialogue out loud.
2. Cut small talk when writing dialogue.
3. Keep your dialogue brief and impactful.
4. Give each character a unique voice.
5. Add world-appropriate slang.
6. Be consistent with the characters' voices.
7. Remember who they're speaking to.
8. Avoid long dialogue paragraphs.
Explanation:
I will give you 8 examples/tips.
Any number between 1 and 78 boi
