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monitta
3 years ago
11

Use your imagination and write about what you think Mr. Bedford will find as he begins his prospecting on the moon.

English
1 answer:
Elodia [21]3 years ago
3 0

Explanation:

Mr. Bedford was living our dream and he went to the Moon. He was happy about it and also curious. When he arrived there he was something different and unexpected.

He saw the ground that was looking like the desert but there were many trees and fruits. We all know that dessert cannot have something like it and Mr. Bedfor saw this miracle. Although it was very od to see something like this, it was on the other side beautiful and calmly.

There was a lot of sand. There was also the water and many trees around it that were having many colors on them. Fruits were big and colorful and that was a real miracle.

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Read the sentence. The president of the company was attending the mandatory sales meeting. Which type of phrase or clause is und
horrorfan [7]

B.) Verb phrase

The verb phrase usually follows the subject and tells you what the subject is doing. The phrase "was attending" tells you what the president of the company is doing. The verb phrase contains the action verb "attending" and the helping verb "was". A noun clause is a dependent clause that acts as a noun. An adjectival phrase describes a noun such as "the mandatory sales" describes the type of meeting. An adverbial clause is a dependent clause that functions as an adverb.

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Which statement in the excerpt is an example of fallacious reasoning?
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<span>". . . a young married woman from New Jersey" because her age, origin, and marital status are irrelevant.
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3 years ago
Analyze “houses and rooms are full of perfumes”
viktelen [127]

In this section, Whitman breaks out of enclosures, whether they be physical enclosures or mental ones. In one of his early notebooks, Whitman had drafted the line “Literature is full of perfumes,” a recognition that books and philosophies and religions all offer filtered versions of how to view the world. They are all “intoxicating”—alluring, to be sure, but also toxic. We are always tempted to live our lives according to the views of those who came before us, but Whitman urges us to escape such enclosures, open up the senses fully, and breathe the undistilled atmosphere itself. It is in this literal act of breathing that we gain our “inspiration,” the actual breathing in of the world. In this section, Whitman records the physicality of singing, of speaking a poem: a poem, he reminds us, does not derive from the mind or the soul but from the body. Our inspiration comes from our respiration, and the poem is “the smoke of my own breath,” the breathing of the atoms of the air back out into the world again as song. Poems are written, Whitman indicates here, with the lungs and the heart and the hands and the genitals—with the air oxygenating our blood in the lungs and pumping it to our brain and every part of our body. We write (just as we read) with our bodies as much as our minds.

The poet in this section allows the world to be in naked contact with him, until he can feel at one with what before had been separate—the roots and vines now seem part of the same erotic flow that he feels in his own naked body (“love-root, silk-thread, crotch and vine”), and he is aware of contact and exchange, as he breathes the world in only to breathe it back again as an undistilled poem. All the senses are evoked here—smell (“sniff of green leaves”), hearing (“The sound of the belch’d words of my voice”), touch (“A few light kisses”), sight (“The play of shine and shade”), taste (“The smoke of my own breath,” that “smoke” the sign of a newly found fire within).

Now Whitman gently mocks those who feel they have mastered the arts of reading and interpretation. As we read this poem, Whitman wonders if we have “felt so proud to get at the meaning of poems,” and he invites us now to spend a “day and night” with him as we read “Song of Myself,” a poem that does not hide its meanings and require occult hermeneutics to understand it. Rather, he offers up his poem as one that emerges from the undistilled and unfiltered sources of nature, the words “belch’d” (uttered, cried out, violently ejected, bellowed) instead of manicured and shaped. This is a poem, Whitman suggests, that does not want to become a guide or a “creed,” but one that wants to make you experience the world with your own eyes. We take in this poet’s words, and then “filter them” from our selves, just like we do with the atmosphere and all the floating, mingling atoms of the world.

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3 years ago
Which word or phrase best describes Bilbo baggins at the the beginning of The Hobbit
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Answer:

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7 0
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1. if a load of bread cost 25 cents two years ago, how much does it cost now
zzz [600]

Answer:

It goes around 63 to 75 cents

Explanation:

The text mentions that prices in Ethiopia have been rapidly rising in the last two years and that things have changed greatly.

It is mentioned in the text (the third paragraph) how the prices have been raised to 250 to 300 percent. <u>This means they are 2.5 to 3 times higher</u>.

In case the loaf of bread was 25 cents two years ago, <u>today in Ethiopia it would cost around 63 to 75 cents</u>.

We count these final prices by multiplying 0.25 with 2.5 and 3.

7 0
3 years ago
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