Answer:
The three most important inventions of the first Industrial Revolution include the steam engine, the spinning jenny, and the telegraph. The three most important inventions of the Second Industrial Revolution include the combustible engine, electricity, and the lightbulb.
Explanation:
the reason why is because if you get to read it correct you get to understand more about industrial revolution?
Answer:
Which Egyptian belief led to the creation of funerary objects? A. belief in pharaoh as god B. belief in life after death C. belief in multiple gods
Explanation:
Alexander Calder<span>, is the one who created the mobile.
More info:</span><span>, born 113 years ago today in 1898, may not have invented the baby mobile, but his large sculptures, dubbed mobile art because of the use of moving parts and wires, were the inspiration for the genre
I HOPE my answer HELPED you</span>
Answer:
El Greco was born in Crete therefore he was greatly influenced by the Late Byzantine icons paintings elements which he blended with Late Italian Mannerist of Titian, Michelanelo and Raphael´s exagerated proportions and created a deeply emotional fervor evocative of Spain raising emotion through distorted figures, dramatic and tense outlining joining Bizantyne traditions with the Western art style.
Explanation:
Domenikos Theotocopoulos (1541–1614)
, better known as El Greco was born in the island of Crete, he was a painter who got stablished in Toledo between 1577 and 1579, where he did most of his work, until his death on April 6 or 7, 1614 but he was also famous at other parts of Spain.
His own particular style was first influenced by his first pieces about Byzantine icons and this style remained in his subsequent paintings. When he was in Venice he was greatly influenced by masters as Titian, Tintoretto, Basano´s tutoring and later, in 1570 by Michelangelo and Raphael in Rome all of the belonged to Mannerism, a style which was born in 1530 and lasted until the end of the century being replaced by Baroque. It is also called late Renaissance and it is named after maniera, an Italian term for “style” or “manner,” and refers to a stylized, exaggerated seal not only on painting but also in sculpture.
It features exaggeration or alteration in proportions, posture, and expression and even though El Greco has his own individual style, his tortuosly elongated or stretched figures and his fantastic phantasmagorical colours reflected the mannerism style influence.
The prominent blended art of El Greco belongs to a unique style in Spanish Renaissance.
