Answer:
One of the most obvious examples of imagery in A Midsummer Night's Dream is Shakespeare's descriptions of the forest. He invokes our senses to make the forest seem hypnotizing like a magical spell, in comparison to the city.
Explanation:
I hope thi helps i didnt know exactly what to put but i tried my best
I believe it's D, because without "(especially the corn)" its a complete sentence that still makes sense.
Answer: The most important event in chapter eight of <u>The Outsiders</u> is Ponyboy and Randy's conversation outside of the diner. The significance of this scene is that Randy and Ponyboy find a common ground by talking about Bob and the school children. Randy realizes that Greasers are more than just hot-headed guys who like to fight, and Pony realizes that just because the Socs are different, they are people too, just like him. They both leave with a better understanding of each other, almost like bridging a gap between the Socs and Greasers.
Well you answered the question yourself, but yes, B is the correct answer here.
A poem about cat with 3 stanze and rhyming in one line word in each stanze 3 line is described below.
Explanation:
1. A three line stanza is called a tercet. A four line stanza is a quatrain, and a five line stanza is a quintet.
2. 3 line stanzas are called Tercets. A stanza in poetry is a group of lines usually separated by a blank line. Stanzas of 3 lines are called Tercets from the Latin word tertius meaning three.
3. A poem or stanza with one line is called a monostich, one with two lines is a couplet; with three, tercet or triplet; four, quatrain. six, hexastich; seven, heptastich; eight, octave.
4. A monostich has been described as 'a startling fragment that has its own integrity'[2] and 'if a monostich has an argument, it is necessarily more subtle.'[3]
A monostich could be also titled; due to the brevity of the form, the title is invariably as important a part of the poem as the verse itself:[4]
5. Some one line poems have 'the characteristics of not exceeding one line of a normal page, to be read as one unbroken line without forced pauses or the poetics of caesura', and others having ' a rhythm, (as with one-line haiku), dividing easily into three phrases'
