Answer: c
Explanation: not quite sure how to explain, this also varies a lot on the country there are different "standards" for certain country's
Conflict, Rising Action, and Climax
Sun is the word from the passage which symbolizes hope.
Answer: Option B
<u>Explanation:</u>
Wreckage, Inlet, and skeletons are definitely not the words that symbolizes hope. When the author says, ‘Finally, some of the storm clouds parted just as they were losing hope, and the sun shined down on the island’, he means that amidst the destroyed ships and stinky skeletons, when they were about to lose hope, there came a time when the clouds were clear and they could see a ray of hope.
That ray was the light of the sun, when everything seems like an end, that’s the time when the sun gave them aspiration. The rising sun symbolizes the new beginning and new hope, the setting sun also gives us a desire for a new day that will begin. So no matter whether the sun rises or sets, it will always be the symbol of hope.
The answer is D the characters use a lot of metaphors to talk about the sorrow that takes over the minister's soul, His fiancee is showing her worry saying that rumor has it he is a sinner.
Option A, B, and C are not possible because A takes the elements in a literal form, B says she thinks he is innocent but it is expressed in her words that she worries about what people say so that demonstrates that she doesn't fully believe in him and C says that she is the one in sorrow and since the first comment in this conversation they talk about the minister's pain.
In "Persepolis", we can infer the following after looking at the panel where the narrator is pressed between her mother and grandmother:
- We can infer that the mother and the grandmother are speaking in hushed voices, which is why they are so close to each other to the point of pressing the narrator.
- We can also infer they are very worried about the narrator's father's safety, so they do not want the narrator to hear what they have to say.
- "Persepolis" is a graphic novel by Marjane Satrapi based on her life experiences growing up in Iran.
- At a certain point in the novel, when Marjane is just a child, her father goes out to take pictures of people demonstrating in the streets.
- Taking pictures iss forbidden, and her father has even been in jail before.
- In the panel mentioned in the question, Marjane's mother and grandmother are standing, close to each other, with little Marjane in the middle, pressed between them.
- This panel helps us infer a couple of things. First, that the two women are speaking in low voices, which would explain why they are so close to each other.
- Second, that they are extremely worried about the father and do not want Marjane to hear what they are saying.
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