Answer:
The answer to your question would be hyperbole.
The correct answer is D) it does not use excess words.
<em>One way in which the poem “The Jelly-Fish” by Mariane Moore embodies Ezra Pound’s rules of imaginism is that the poem does not use excess words.
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The imaginist movement uses the image as the basic driving force in a poem. The movement started in the 20th century and among its most important artists are Hilda Doolitle and Ezra Pound. The three rules of Imaginism are: 1) Direct treatment of the thing described; 2) Nlt to use any word that does not contrinute to the presentation; and 3) to compose in sequence with the musical phrase. This is about rhythm. So One way in which the poem “The Jelly-Fish” by Mariane Moore embodies Ezra Pound’s rules of imaginism is that the poem does not use excess words.
The other options of the question were, a) it does not use descriptive words, b) it has an exact meter, and c) it create several images.
Answer: The answer here is a Compound Sentence.
Explanation: A Compound Sentence is simply two sentences in one. If you take away the FANBOY (Coordinating Conjunction) out of the sentence, you're left with two separate and complete simple sentences.
Answer: Dismemberment is the first step he took.
Explanation:
In the story he says, “First of all I dismembered the corpse.”
Answer:
Mulvey relates this feature of cinematography (specifically, depth of field) to the expression of the active male's expansive power through screen space. Mulvey relates to Depth of field.
<u>Explanation:</u>
The Depth of field is very important in photography, it enhances our photos. It is that part that represents sharpness that we can easily focus. It varies from one photo to another.
In some photos, the part where we can focus on is very shallow but in other photos, this part is very deep. Depth of field depends upon aperture and focal length of the lens.
Large aperture gives a shallow depth of field but on the other hand, a small aperture gives a deep depth of field.
