Bambo and fur were used in China.
Sticks and leaves are prehistoric.
stylus is greek.
Renaissance is correct already.
Industrial age is correct already.
and Egyptian is correct already.
Hope this helped!
~LunarRose3
Archeology has aided in the interpretation of prehistoric Aegean artifacts through the investigation and excavation of sites to look for historical objects.
<h3 /><h3>What is the importance of archeology?</h3>
Through a scientific methodology, archeology helps to understand the formation of past civilizations and their changes through the investigation of material and immaterial cultural heritage, such as artifacts and sites for example.
Therefore, another example of how archeology was relevant to the discovery of material culture, is through the study of ancient Egyptian civilization, whose discoveries help to understand the history of humanity and its discoveries.
Find out more about archeology here:
brainly.com/question/928273
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Answer:
True
Explanation:
For example, a car is a moving object, and the gap between the car and the car in front is active space as the space is constantly moving as well. If a collision was to occur with the car in front, the car in the back needs active space to react and take maneuvers to avoid hitting the car.
A play that will take a long time I can search one up
Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
