Stress is the effect of being upset, like, having something due and your facing the deadline in your face, when your worried about someone, you can’t stop thinking about it.
The effects of stress are various, like you fail. Or you can be feeling depressed from it.
The plural of the noun proof is prooves.
In general, to form the plural of a singular regular noun, we must add an s at the end of the word:
- dog → dogs
- house → houses
- girl → girls
However, there are some exceptions, depending on the letter with which the noun ends.
When the singular noun ends in -f, we drop the -f and add -ves to form the plural.
This is why the plural of proof is prooves.
Other examples of plurals of nouns ending in -f are:
- Thief → thieves
- calf → calves
- half → halves
You can learn more about plurals in the link below:
brainly.com/question/14427668
#SPJ4
Answer:
Basándose en las propiedades, los científicos serían menos propensos a utilizar la tiza como material de construcción porque...
el color es demasiado claro.
no es magnética.
es demasiado frágil.
no refleja la luz.
2. El cobre es más probable que se utilice como cable porque ....
Conduce el calor
Conduce la electricidad
Es flexible
Todo lo anterior
3. Vuelves de la comida a la clase de ciencias y hay dos líquidos transparentes en tu
escritorio. ¿Cuál es la mejor manera de determinar de qué líquidos se trata?
Probarlos
Tocar con los dedos desnudos
Hervirlo
Arrastrar un imán a través de él
4. Explica por qué tu opción de respuesta en #3 es la
Answer:At approximately 4:40 p.m. on Saturday, March 25, 1911, as the workday was ending, a fire flared up in a scrap bin under one of the cutter's tables at the northeast corner of the 8th floor.[13] The first fire alarm was sent at 4:45 p.m. by a passerby on Washington Place who saw smoke coming from the 8th floor.[14] Both owners of the factory were in attendance and had invited their children to the factory on that afternoon.[15] The Fire Marshal concluded that the likely cause of the fire was the disposal of an unextinguished match or cigarette butt in the scrap bin, which held two months' worth of accumulated cuttings by the time of the fire.[16] Beneath the table in the wooden bin were hundreds of pounds of scraps left over from the several thousand shirtwaists that had been cut at that table. The scraps piled up from the last time the bin was emptied, coupled with the hanging fabrics that surrounded it; the steel trim was the only thing that was not highly flammable.[13] Although smoking was banned in the factory, cutters were known to sneak cigarettes, exhaling the smoke through their lapels to avoid detection.[17] A New York Times article suggested that the fire may have been started by the engines running the sewing machines. A series of articles in Collier's noted a pattern of arson among certain sectors of the garment industry whenever their particular product fell out of fashion or had excess inventory in order to collect insurance. The Insurance Monitor, a leading industry journal, observed that shirtwaists had recently fallen out of fashion, and that insurance for manufacturers of them was "fairly saturated with moral hazard." Although Blanck and Harris were known for having had four previous suspicious fires at their companies, arson was not suspected in this case.[15]The building's south side, with windows marked X from which 50 women jumped62 people jumped or fell from windowsA bookkeeper on the 8th floor was able to warn employees on the 10th floor via telephone, but there was no audible alarm and no way to contact staff on the 9th floor.[18] According to survivor Yetta Lubitz, the first warning of the fire on the 9th floor arrived at the same time as the fire itself.[19] Although the floor had a number of exits, including two freight elevators, a fire escape, and stairways down to Greene Street and Washington Place, flames prevented workers from descending the Greene Street stairway, and the door to the Washington Place stairway was locked to prevent theft by the workers; the locked doors allowed managers to check the women's purses.[20] The foreman who held the stairway door key had already escaped by another route.[21] Dozens of employees escaped the fire by going up the Greene Street stairway to the roof. Other survivors were able to jam themselves into the elevators while they continued to operate.[22]Within three minutes, the Greene Street stairway became unusable in both directions.[23] Terrified employees crowded onto the single exterior fire escape – which city officials had allowed Asch to erect instead of the required third staircase[13] – a flimsy and poorly anchored iron structure that may have been broken before the fire. It soon twisted and collapsed from the heat and overload, spilling about 20 victims nearly 100 feet (30 m) to their deaths on the concrete pavement below. The remainder waited until smoke and fire overcame them.The fire department arrived quickly but was unable to stop the flames, as their ladders were only long enough to reach as high as the 7th floor.[1] The fallen bodies and falling victims also made it difficult for the fire department to approach the building.Elevator operators Joseph Zito[24] and Gaspar Mortillaro saved many lives by traveling three times up to the 9th floor for passengers, but Mortillaro was eventually forced to give up when the rails of his elevator buckled under the heat. Some victims pried the elevator doors open and jumped into the empty shaft, trying to slide down the cables or to land on top of the car. The weight and impacts of these bodies warped the elevator car and made it impossible for Zito to make another attempt. William Gunn Shepard, a reporter at the tragedy, would say that "I learned a new sound that day, a sound more horrible than description can picture – the thud of a speeding living body on a stone sidewalk".[25]A large crowd of bystanders gathered on the street, witnessing 62 people jumping or falling to their deaths from the burning building.[26] Louis Waldman, later a New York Socialist state assemblyman, described the scene years later:[27]One Saturday afternoon in March of that year—March 25, to be precise—I was sitting at one of the reading tables in the old Astor Library. … It was a raw, unpleasant day and the comfortable reading room seemed a delightful place to spend the remaining few hours until the library closed.
Explanation:
Answer: B. It describes the stages of American literature in chronological order to show how each period relates to the ones before and after.
Explanation: We see that the paragraph starts out with America's colonial day's. Since the colonists were new to the area they looked to where they came from to help them write literature because they just didn't know how to do it on their own yet. Then we get to the American Revolutionary War, towards the end of 1700's, which helps create a new identity for the colonists. They are were no longer under the tyranny of the British government, which allowed for them to explore their new found freedom, create an identity, and live a life they they wanted now. They could be creative without the backlash of the British Government. Then we go into the 1800's, which during this era, there were many wars, exploration of the new land, a government had been established, land was being obtained, and people were moving out of the 13 colonies. Then we go into the 20th century, 1900's. 1900's was an era in which this nation experienced many life changing events. It was times of WW1, Roaring 20s, Great Depression, WW2, Korean War, presidents changing policies for the better or for the worse of this nation, Vietnam War, Hippies Era, time where drugs where introduced, advancements in medicine, Civil Rights Movements, and many more events that changed this nation. Now we are in the 21st century current events change the scope of literature, like it did in the past. Experimenting with different genres together creates new literature.
Hope this help kiddo.
