Lighter values of a hue are called tints<span>. They are created by adding the neutral </span>color<span>of white to the hue. Darker values are known as </span>shades<span>, created by adding black, another neutral </span>color<span>. When both white and black (grey) are added to a hue, the result is a diluted version of the hue called a tone.</span>
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By modern standards, nineteenth-century photography can appear rather primitive. While the stark black and white landscapes and unsmiling people have their own austere beauty, these images also challenge our notions of what defines a work of art.
Photography is a controversial fine art medium, simply because it is difficult to classify—is it an art or a science? Nineteenth century photographers struggled with this distinction, trying to reconcile aesthetics with improvements in technology.
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<h2><u>Answer:</u></h2>
DAVID SMITH is an American sculptor(1906– 1965), he created metal figures that have affinities with the Abstract Expressionist movement in painting. He figured out how to weld in a vehicle plant in 1925 and later connected to his art the technical ability in dealing with metals he picked up from that experience.
Also, working in huge scale at the industrial facilities helped him picture the potential outcomes for the stupendous metal model. In the wake of trying different things with an assortment of sculptural styles and materials, Smith made his Cubi series in the mid-1960s.
These works, for instance, Cubi XIX, comprise of simple geometric structures solid shapes, barrels, and rectangular bars. Made of stainless steel areas heaped on each other and afterward welded together, these expansive scale models put forth a striking visual expression.
Smith included gestural components reminiscent of Abstract Expressionism by shining the metal with steel fleece, creating abstract looking examples that attract attention regarding the two-dimensional of the sculptural surface.
