True, and false in the same time.
- Sonnets always have 14 lines
- Sonnets always adopts Iambic Pentameter
- Sonnets don't always follow the same rhyme scheme: differs between, for instance , Shakespearean and Petrarchan
Well first that all black people look alike meaning we're all related
Answer:
The correct answer is A. Outward appearances can be deceiving.
Explanation:
In the quote, we can see that Frankenstein's monster (if we should call him that) tells us how he is harmless and can even be beneficial (meaning, helpful, useful), but all people choose to see is his appearance rather than what's inside.
Namely, Doctor Frankenstein brought a corpse back to life and thus created his monster. Obviously, a reanimated corpse looks scary and people often cannot see beyond the physical, which is something the monster is lamenting in the quote above. He says that even though he may look like a monster, his characteristics are not monstrous, and that people shouldn't read the book by its cover (in other words, outward appearances can be deceiving).
Answer:
C. Argues that diverse audience will interpret the same information differently.
Explanation:
The cultural approach interrogates the representation of shared beliefs and presents communication as a process that produces, maintains, repairs and transforms reality. This approach provides the lenses to look at the mass communication in a disarmingly simplistic manner and thus, making it a wonderful experience. It argues that reality does not change but it is the perceptions of people that change with time and treats the beliefs as secondary. Thus, it argues that different people will interpret the same thing differently owing to their distinct perceptions and neglects the realities to be encompassing and suggests that the reality is different for different people and there is no 'single' reality. The cultural approach portrays mass communication in a different light. Thus, it argues that different people will interpret the same thing differently owing to their distinct perceptions.
