Faith's pink ribbons are example of a C. SYMBOL.
In Young Goodman Brown, Faith's pink ribbons initially symbolizes Faith's innocence.
However, as the poem progresses, the pink ribbons took up the symbol of deceit when it was found in the forest.
So, from symbolizing innocence, the Faith's pink ribbons became a symbol of deceit hidden behind an innocent facade.
He is a hungarian-born french painter who painted geometric abstractions and was a prominent influence on the Op art movement.
At some point at the center of the twentieth century, most American composers sought to emulate medieval and Renaissance music. False
The Renaissance generation of classical tunes saw the growth of polyphonic tunes, the upward thrust of new gadgets, and a burst of recent ideas concerning concord, rhythm, and song notation.
Some of the first-rate tracks of the Renaissance changed to sing in church buildings in large choirs. One new fashion of song changed into interweaving numerous exclusive vocal melodies at the identical time. This type of song changed into known as polyphony and became famous in choirs. some other famous form of vocal music was the madrigal.
The most crucial track of the early Renaissance was composed to be used via the church—polyphonic (made of numerous simultaneous melodies) masses and motets in Latin for vital churches and court chapels.
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The answer is the "Man at the Crossroads".
The most controversial mural of Diego Rivera in which he reflected his communist ideologies is called Man at the Crossroads. The mural was destroyed because the image of Vladimir Lenin, a communist was included.
Labille- Guiard was successful in changing in the french academy's rule that only four women could be admitted at a time.
The French miniaturist and portrait painter Adélade Labille-Guiard, also known as Adélade bdes Vertus, was born in 1802. She fought to give women the same chances as men to become accomplished artists.
One of the first female members of the Royal Academy, Labille-Guiard was also the first female artist to be granted permission to open a studio for her pupils in the Louvre.
Labille-Guiard excelled at oil paintings, pastels, and miniatures. Due to the customs of the 18th century, which prohibited masters (who were primarily male) from taking on female pupils, little is known about her training.
The Académie de Saint-Luc gave Labille-Guiard a place to engage in full-time artistic endeavors.
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