B. To explain the rights to the citizens of the United states.
Virginia Driving Hawk Sneve was born on February 21, 1933. She is an American author, with a focus on books about Native Americans for children.
Virginia was raised on the Rosebud Indian Reservation. She graduated from St. Mary's School for Indian Girls in Springfield, South Dakota and received her bachelor's and master's degrees from South Dakota State University where she met her husband. She has published over twenty books on South Dakota history, Native American history, poetry, fiction and non-fiction works for children, as well as one about her female ancestors, "Completing the Circle"
“The Medicine Bag” by Virginia Driving Hawk Sneve tells the story of a kid name Martin. He has a Sioux grandpa who lives on a reservation, and he loves to tell many stories of him. However, many of the stories he tells to his friends are exaggerated to the point that the person his friends think his grandpa is like, is nowhere close to the reality of Martin’s grandpa. This is fine when his grandpa lives on the reservation, but his grandpa decided to come to Martin’s house. Not wanting his friends to see that his grandpa was not as good as he told, Martin pretends his grandpa isn’t at his house and doesn’t treat him with respect. He is embarrassed and obsessed because of his Grandpa. The story shows us the theme that you shouldn’t be embarrassed of you ancestry.
The line from “The Medicine Bag” that best illustrates Martin’s conflict with his Grandpa’s arrival is:
“His get-up wasn’t out of place on the reservation, but it sure was here, and I wanted to sink right through the pavement.”
Martin always lied about his grandpa not being there when his friends came to meet him, and in this time he saw no scaping from the situation, more than "wanting to sink his head through the pavement"
You have to give us some more information...
You SHALL not enter my room unless I call you.
Ani analyses how "DeLuca's haphazard patchwork of reasoning and evidence leaves the reader wondering whether he believes his own claim". According to Ani he quotes not only supporters of the Nobel price committee but also detractors. He includes a sampling of Dylan's lyrics and leaves them to speak for themselves.
The evidence (quotes) from the article that best supports Ani's evaluation are:
1. "And it’s a good thing [his lyrics] have been published, because if you’ve gone to see the famously sneering and syllable-garbling Dylan play live in recent years, you probably couldn’t understand a word he was singing."
We could interpret this quote as contradictory, it is not necessarily for or against Dylan's Nobel Price. You could say he is confusing his readers, he seems to be against the sung lyrics and for the published ones.
2. "On one end of Dylan's songwriting spectrum is the vengeful, resolute, and timeless 'Masters Of War' . . . . It’s high dudgeon at its finest: ‘Let me ask you one question: Is your money that good? / Will it buy you forgiveness? Do you think that it could?"
Ani also says that he does a sampling of the lyrics and allows them to speak for themselves. This excerpt shows part of a lyric from the song "Masters of War". He is not necessarily saying its a "good" or "bad" lyric, he describes it as: "vengeful, resolute, and timeless" the reader must decide about its quality or if it is the kind of work that deserves a Nobel Price.