The Crucible is a tragedy play by Arthur Miller on which a movie was directed. The difference between the scenes in movies and plays is created to show the element of drama.
<h3>Who is Tituba?</h3>
Tituba is one of the black characters of the story that is an enslaved girl of Kalina nationality and is accused of practicing witchcraft during trials. In the play, it is seen that Tituba is threatened to confess her involvement in witchcraft.
In the movie, she is not threatened but thrashed to admit her involvement to increase the intensity of the drama and to create a greater impact on the audience by showing the discrimination.
Therefore, in the movie, the scenes are different to show the increased drama.
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Answer:
A theme within <em>A Raisin In The Sun</em> is dreams
Explanation:
A Raisin in the Sun is named from a 1951 Langston Hughes poem titled Montage of a Dream Deferred, and dreams play an important role in the play. "What happens to a dream deferred?" the poet wonders in the poem, which also acts as the play's epigraph (a citation at the beginning of a book that elaborates on its primary themes). thinking about whether it will shrivel up "like a raisin in the sun" or erupt. The linked and competing desires of the Youngers drive the storyline of Hansberry's play, which is based on Hughes' unanswered question. Each character has their own goals that have been put on hold owing to the family's socioeconomic limits imposed by bigotry. Despite the conclusion's forecast of future challenges for the Clybourne Park family, the endurance of these ambitions gives the play a pervading feeling of hope. The drama is around Mama and her late husband Big Walter's goal of acquiring a home. Mama recalls Big Walter's comment that it appears "like God didn't see fit to give the black man nothing but dreams," tying the postponement of her dream to racial inequity, as she clings to a dream she hasn't had for over 35 years. Ironically, it is Big Walter's death, and the $10,000 insurance money that follows, that allows Mama to realize her ambition at the end of the play. Ruth, like Mama, clings to the idea of owning a house, which causes friction with her husband, Walter Lee, who aspires to be a self-sufficient company owner. Walter's ambition to operate a liquor shop (one of the few economic opportunities available to an African-American male in mid-century Chicago) contrasts sharply with his sister Beneatha's ambition to become a doctor. However, by the end of the play, Walter's squandered investment has jeopardized both his and Beneatha's aspirations, putting a pall over the play's semi-optimistic climax, which focuses on Mama's realized dream. With the insurance money gone, Walter and Beneatha's future plans look to be in jeopardy, evoking bigger fights with socioeconomic forces beyond the individuals' control.
The answer to this item is letter "D. Short stories". The short stories written were usually formattted for setting up shocking or twisted endings. Some of the short stories with twisted ending are "The Necklace", "The Monkey's Paw", and "Man from the South".
<span>The Chinese Exclusion Act of 1882 was introduced during a time of high volume immigration by Chinese-Americans. This act was a response to the higher levels of immigrants migrating to the United States. This was also a racist response, put into place after a law banning naturalization of non-white Americans.</span>
