The president is advised by his CABINET.
Answer:
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Answer:
The function h(t) = –16t2 + 28t + 500 represents the height of a rock t seconds after it is propelled by a slingshot.
What does h(3.2) represent?
the height of the rock 3.2 seconds before it reaches the ground
the time it takes the rock to reach the ground, or 3.2 seconds
the time it takes the rock to reach a height of 3.2 meters
the height of the rock 3.2 seconds after it is propelled
Explanation:
The function h(t) = –16t2 + 28t + 500 represents the height of a rock t seconds after it is propelled by a slingshot.
What does h(3.2) represent?
the height of the rock 3.2 seconds before it reaches the ground
the time it takes the rock to reach the ground, or 3.2 seconds
the time it takes the rock to reach a height of 3.2 meters
the height of the rock 3.2 seconds after it is propelled
Answer:
1 - I'm not going to the party => past simple: I was not going to the party
2 - Are you calling me? => future perfect continuous: Will you have been calling me?
3 - They were eating when I got there => simple past: They are eating when I get there
4 - Sarah and Rose will have gone to the station => present perfect: Sarah and Rose have gone to the station
5 - She has been traveling for two days => past perfect: She had traveled for two days
Hope this helps!
:)
This is a short modernist fiction that celebrates the life of the imagination, and points to its shortcomings. As a narrator, Woolf was in the habit of thinking aloud and talking to herself, as well as to her imaginary readers. Here she takes the process one stage further by ‘talking’ to her own fictional creations.
She also shows the process of the artistic imagination at work, raising doubts about its own creations, asking questions, and posing alternative interpretations. She even develops lines of narrative then backtracks on them as improbable or cancels them as invalid, mistaken interpretation, or rejects them as inadequate.
In other words, the very erratic process of ratiocination – all the uncertainties, mistakes, hesitations – are reproduced as part of her narrative. She even addresses her own subject, silently, from within the fictional frame, and reflects on fictional creations which ‘die’ because they are rejected as unacceptable:
