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Veronika [31]
3 years ago
12

What can most likely be inferred about an artist when analyzing his or her portrayal of monsters in a work of art

English
1 answer:
Butoxors [25]3 years ago
4 0

what the artist fears.

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Critical reading is a process.
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Answer:

Of

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Its a real word

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Lightoller had a more tangible yardstick - the steep narrow emergency staircase that ran from the Boat Deck all the way down to
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ion even no my boy

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Write a few lines of dialogue based on this narrative.
Alona [7]

Some tips to help you write a good dialogue are:

  • Show the characters
  • Develop the theme
  • Show the actions between characters
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<h3>What is a Dialogue?</h3>

This refers to the exchange of communication between two or more entities where feedback is given

Hence. we can see that the complete question is given below:

My brother Patrick sat on his bed and waited patiently for me to begin. As I held the speech in my right hand, I felt the page crinkle between my fingertips. I read my speech loudly, but my brother shook his head disapprovingly. He told me I didn’t sound confident enough. With a heavy heart, I knew I was in for a long day of practicing.

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2 years ago
This question is based on the following poem: Seasons Are celebrations. A year’s a Ferris wheel. Both honour our worlds habit of
Artyom0805 [142]

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Hi! ^-^


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3 years ago
To create suspense, writers must reveal details gradually so readers want more. To create suspense, writers must include charact
laiz [17]

Answer:

To create suspense, writers must reveal details gradually so readers want more.

Explanation:

Lee Child's "A Simple Way to Create Suspense" is an essay where he narrates or rather expressed his take on creating suspense in his works. The essay provides his approach to making a suspenseful work rather than directly approaching the climax in a story.

In the given paragraph from the end of his essay, he states that there are numerous ways to make work interesting. He agrees that <em>"Attractive and sympathetic characters re nice to have; and elaborate and sinister entanglements are satisfying .... [added with] impossible-to-escape pits of despair"</em>. But all these are<em> "luxuries"</em> which provide not enough thrill. Rather, he opines that<em> "the slow unveiling of the final answer" </em>is the basic narrative fuel of any work.

Thus, the <u>central idea of the passage is that writers must reveal details slowly and gradually so that the readers will want more, creating a suspenseful environment. </u>

5 0
3 years ago
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