Explanation: . Almost at the start of the story, in the second paragraph, Richards "hastened" (12) to bring his sad news. But if Richards had arrived "too late" at the start, Brently Mallard would have arrived at home first, and Mrs. Mallard's life would not have ended an hour later but would simply have gone on as it had been. Yet another irony at the end of the story is the diagnosis of the doctors. They say she died of "heart disease--of joy that kills" (11). In one sense they are right: Mrs. Mallard has for the last hour experienced a great joy. But of course the doctors totally misunderstand the joy that kills her. It is not joy at seeing her husband alive, but her realization that the great joy she experienced during the last hour is over.
All of these ironic details add richness to the story, but the central irony resides not in the well-intentioned but ironic actions of Richards, or in the unconsciously ironic words of the doctors, but in Mrs. Mallard's own life. She "sometimes" (13) loved her husband, but in a way she has been dead, a body subjected to her husband's will. Now his apparent death brings her new life. Appropriately this new life comes to her at the season of the year when "the tops of trees [...] were all aquiver with the new spring life" (12). But ironically, her new life will last only an hour. She is "Free, free, free" (12), but only until her husband walks through the doorway. She looks forward to "summer days" (13), but she will not see even the end of this spring day. If her years of marriage were ironic, bringing her a sort of living death instead of joy, her new life is ironic too, not only because it grows out of her moment of grief for her supposedly dead husband, but also because her vision of "a long procession of years" (12) is cut short within an hour on a spring day.
D the workship of his boddies
Thy husband is thy lord, thy existence, thy keeper, is William Shakespeare. Lucentio throws a feast to have fun the 3 current marriages in Padua: Petruchio to Kate, Lucentio to Bianca, and Hortensio to the widow he had spoken of before.
A banquet is held to celebrate three marriages: Kate and Petruchio, Bianca and Lucentio, and the widow and Hortensio. After some witty banter, the men start arguing approximately which of them has the more obedient wife. Petruchio proposes a guess: the man whose spouse comes when she's referred to as will win the wager.
Katherine Act five, Scene 1 of The Taming of The Shrew, Lucentio and Bianca marry. Vicentio, Lucentio's actual father, comes to Padua and meets with Tranio posing as Lucentio, and a pedant instructional purist posing as him. Lucentio's plan sooner or later comes undone. Lucentio and Bianca express regretto their fathers.
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Answer:
Dee is not wholly unsympathetic as she plays a character which gives voice to the Black Power Movement. She tries to preserve the family items.
Mothers Victory is not wholly positive as she stood up for one of her daughter and this may have resulted in loss of the other daughter.
The final scene between mother and daughter is very emotional and the moment is not ambivalence as Maggie is happy for what her mother did, her mother helped her in enhancing her self esteem and the moment is shared happily between mother and daughter.
Explanation:
Dee is not wholly unsympathetic as she plays a character which gives voice to the Black Power Movement. She tries to preserve the family items.
Mothers Victory is not wholly positive as she stood up for one of her daughter and this may have resulted in loss of the other daughter.
The final scene between mother and daughter is very emotional and the moment is not ambivalence as Maggie is happy for what her mother did, her mother helped her in enhancing her self esteem and the moment is shared happily between mother and daughter.
