The best choice for the answer is <em>True</em>
<u>Answer:</u>
The correct answer option is: long, angular, flat figures.
<u>Explanation:</u>
Romanesque art is often characterized by long, angular, flat figures.
Romanesque Art was the first artistic style which gained influence in Europe from Scandinavia to the Mediterranean in about 1000 A.D.
Among this style or art, Romanesque sculptures, painting and architecture gained the most fame. Their medieval structures were often characterized by long, angular, flat figures rather the symmetrical designs and regular forms.
<span>"The best and most correct answer among the choices provided by the question is the first choice ""To travel this immensity""We use words/concepts in an attempt to represent existence. Never with complete accuracy. Absolute words are used for effect, not accuracy. For example, to say ""That bird is free"" is not very accurate. The bird is restricted in various ways, like the atmosphere of the Earth and its own body. One could instead say ""That bird is free to fly the Earth."" This has started to qualify the term ""free"" by creating a boundary that is is being applied in. One could go on to write paragraphs refining the use of that single word, to develop a more accurate statement about existence.I hope my answer has come to your help. God bless and have a nice day ahead!"</span>
Answer:
Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.
The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.
Explanation:
