Answer:
C. Photo of the sculptures
Explanation:
These are the options that come with this question:
A. Map of the British Museum
B. Drawing of the goddess Athena
C. Photo of the sculptures
D. Diagram of the Parthenon
Although the excerpt is not included here, we know that this refers to a text that talks about the details of a sculpture. Out of these options, the one that would most benefit the reader of this text would be a photo of the sculpture. A sculpture is an example of a visual art piece. Therefore, it is best understood through images and visuals. By being able to look at a picture, the reader is more likely to understand what the author refers to.
The technique that the author Irving incorporates in this story is that of
Quickening the pace is a technique that authors use to build suspense in a text.
In this technique, events take place in a very hasty manner that makes the reader wonder what next will happen, or what will be the final outcome.
We see this applied at the outset of this story, the fast manner in which the character wore his clothes, moved down the stairs, and tumbled over some pieces of furniture.
All of these actions infuse suspense in the reader who wonders what will happen next.
Learn more here:
brainly.com/question/17754417
Answer:The poets of the next generation shared their predecessors’ passion for liberty (now set in a new perspective by the Napoleonic Wars) and were in a position to learn from their experiments. Percy Bysshe Shelley in particular was deeply interested in politics, coming early under the spell of the anarchist views of William Godwin, whose Enquiry Concerning Political Justice had appeared in 1793. Shelley’s revolutionary ardour caused him to claim in his critical essay “A Defence of Poetry” (1821, published 1840) that “the most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry,” and that poets are “the unacknowledged legislators of the world.” This fervour burns throughout the early Queen Mab (1813), the long Laon and Cythna (retitled The Revolt of Islam, 1818), and the lyrical drama Prometheus Unbound (1820). Shelley saw himself at once as poet and prophet, as the fine “Ode to the West
Explanation:
