Answer:
C. It is larger in urban areas
Explanation:
- Carrying capacity is the number or the amount of pressure of species on the earth's ecological system can bear or can carryforwards and can be sustained by giving food, water, and necessity available to the environment.
- The ecological footprint is a measure or a way to estimate the pressure on the natural resources by these species by taking in the future possibilities and limitations. Estimated in terms of the demands and the biocapacity of the ecosystem.
- <u>The urban area carrying capacity is a result of interaction of the multiple subsystems and due to the large human activities the urban areas have low levels of the carrying capacity as they are not natural settings and put pressure and huge load over resources.</u>
Answer:
D. set it outside and check on it every day
Explanation:
In order for Brittany to be able to study the soil erosion by using a simplified method of what the farmers do on the slopes to minimize it, she will need to take the pan, leave it outside, and check on it every day. By having the required shape, the soil will give somewhat an example of the soil on the slopes that has been plowed so that the furrows run along the hills. Since the hills do not move or tilt, the pan with the soil should be stable, static. Being put outside, it will be exposed to the natural conditions that cause the erosion, such as the water and wind. Brittany will need to check upon the soil every day and make detailed notes and measurements to see what the erosive effects are on it.
Answer:yes its the atlantic ocean ;)
Explanation:
France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[3] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[3]
Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina (Gaspar Noé and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (Géla Babluani, Otar Iosseliani) are prominent in the ranks of French cinema. Conversely, French directors have had prolific and influential careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States.
Another element supporting this fact is that Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant,[4] and that in most "downtown Paris" movie theaters, foreign movies which would be secluded to "art houses" cinemas in other places are shown alongside "mainstream" works. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe, with the DLP CINEMA technology developed by Texas Instruments, in Paris.[5][6][7] Paris also boasts the Cité du cinéma, a major studio north of the city, and Disney Studio, a theme park devoted to the cinema and the third theme park near the city behind Disneyland and Parc Asterix.[8]
France is the most successful film industry in Europe in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015.[9] France is also one of the few countries where non-American productions have the biggest share: American films only represented 44.9% of total admissions in 2014. This is largely due to the commercial strength of domestic productions, which accounted for 44,5% of admissions in 2014 (35.5% in 2015; 35.3% in 2016).[10] Also, the French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80–90% of costs from revenues generated in the domestic market alone.[11]
