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Feliz [49]
3 years ago
6

Which words describe the rhythm created in Gwendolyn Brooks's "We Real Cool" by lines such as these?

English
1 answer:
erastova [34]3 years ago
4 0
The correct answer should be (D.) <span>joyful, playful.

The </span><span>words which describe the rhythm created in Gwendolyn Brooks's "We Real Cool" by lines such as the ones stated above are joyful and playful. Joyful because it creates a sense of happiness and light emotions to the readers; and playful because it is composed of a three-letter word lines which creates a simple rhyming technique.</span>
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What does the reader learn about poisons based on “medicinal plants of the rain forests
Crank

The readers get to know that not every plants that seem harmless are actually harmless.

<u>Explanation:</u>

Rainforest are basically forests which are spreaded across acres and which faces high rainfall almost throughout the year.

If we talk about the poisonous medicinal plants of rainforest, there are innumerable plants in the forest and most of those plants might seem quite harmless but that must not be the case.

Some of the most deadliest and toxic plants include the Water Hemlock, White snakeroot, Castor bean, Tobacco and many such other toxic plants which can be found in rainforest all over the world.

6 0
3 years ago
Summarize the action of the poem. What happened?
gulaghasi [49]

Answer:

<h2><u>Summary</u></h2>

The speaker is at sea at night, heading towards the black land in the distance. He briefly paints a picturesque image of night at sea but moves forward until he pulls his vessel up on to the sand.

He walks a mile along the beach and then across three fields until he approaches his goal, a farm. He taps at the window, sees the lighting of a match, and then is overwhelmed by the beating of his and his lover's hearts as they reunite.

<h2><u>Analysis</u></h2>

A short and relatively simple love poem, this piece still presents the subtext of the importance of movement in life, and of the dichotomy between the stasis of art and the action of life.

The entire poem has a sense of movement to it that reflects the speaker's desire to reunite with his love. The poem's meter and sound clearly denote a sense of pressing intent. Read it aloud to sense how the language is pushing ever forward, with three lines in the first stanza alone beginning with "And," as though to suggest that what is on the speaker's mind is never the moment he is in but rather the next thing, since the latter gets him closer to his lover. Technically, the meter is iambic tetrameter, though it is hardly strict, as should be expected in a poem that puts movement over order and contemplation.

This sense of movement is particularly interesting when compared to what is usually expected of a poem of this sort. The imagery, especially in the first stanza, is extremely picturesque and pastoral, the type of landscape that readers often expect poets to spend time contemplating and describing. Poetry, after all, often attempts to capture the complexities and beauty of particular moments, diving deeply into one image to discover all of its profundity.

This speaker, however, is uninterested in the magnificence of "the yellow half-moon large and low." Instead, his focus is on bypassing such elements so as to get to the beach, so he can get to the fields, so he can get to farm. The message here from Browning, who as usual makes no attempt to place himself directly into the work, seems to be that he chooses life rather than art, that for him the goal is movement and energy rather than static contemplation.

But when the speaker arrives to his love the poem abruptly ends. The fact that attainment itself does necessitate a third stanza can imply one of two things: either we can believe that the next action would be further movement of this sort, or we can believe that once he has attained his happiness, he has no further need for writing. He has achieved the unspeakable beauty of love, but as we see in the poem, he as speaker is not interested in plumbing the depths of beauty. Therefore, once he achieves such beauty and happiness for himself, he needs not write but rather can simply live.

It's worth noting the implications of secrecy in the poem. First, the journey and reunion happen at night, suggesting a veil of transgression that in the Victorian age would likely be linked to sexuality. Perhaps there is autobiographical impetus in exploring the theme from this angle, considering that Browning had only recently wed Elizabeth Barrett Browning after a courtship that they had to keep secret from her oppressive father. Many scholars see in it a representation of this courtship, though Browning's general eschewal of autobiography in his poetry makes it hard to imagine he would pursue that so explicitly. Regardless, the sexuality does add a certain sense of danger to the poem. Not only is sexuality implied in the clandestine meeting, but the image of the boat charging into the beach, where it can "quench its speed I' the slushy sand" is easy to interpret as a metaphor along these lines.

Overall, the poem is not subtle in its themes. The speed with which it can be read, since it is only twelve lines long, is the final implication that for he who loves, there is no cause for stopping to admire surrounding beauty, at least not until the supreme beauty of his beloved can be realized.

7 0
3 years ago
Need help asap!
k0ka [10]

The inference that can be made about the location of the fruit stand is that:  It is in a city where there is significant foot traffic on the street.

<h3>How does the passage show this location?</h3>

In the beginning part of the passage, the owner of the business is said to have his location at a place where he could aim at people who came down from different areas.

This right here shows that, there should be a significant amount of foot traffic in the area. People passing the streets would also be much.

Read more on excerpts here:

brainly.com/question/24864502

8 0
2 years ago
What is a text feature ?
Olin [163]

Answer:

all the components of a story or article that are not the main body of text.

Explanation:

6 0
3 years ago
Which of the reasons below is NOT why authors choose to employ symbolism.
iris [78.8K]

B. To hide their message. (I think this is the right answer)

5 0
2 years ago
Read 2 more answers
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