This principle of nondiegetic film music holds that music plays a subordinate role in the experience of the viewer and should no
t be attended to on a conscious level for any extended period of time. This is the principle of: a. diegetic emotion function fundamental purpose b. inaudibility c. invisibility musical cue d. nondiegetic over-determination principle e. up-and-downer
This principle of non-diegetic film music holds that music plays a subordinate role in the experience of the viewer and should not be attended to on a conscious level for an extended period of time. This is the principle of inaudibility.
This principle refers to the fact that music in a film is important but has a second stage status that supports the action in films. Music enhances the moments, appeals to emotions, but people should not be focused on it consciously for an extended period. The spectator could focus on the music for a moment because the scene requires so, but then, it passed to a second stage.
