That’s cool man! i love it.!
Answer:
Because more than just a building, an architectural structure is a human expression. So, it must reflect the conceptions, not only of the time but the author as well. When an architect is projecting a building, he must think about how the audience would look at it, and the feelings they will have. A good example is the Gothic cathedrals.
Explanation:
Well, now let's see.
The architects who project for example the Notre Dame Cathedral were influenced by the art of their time (the Gothic, in this case). So, the structure they were rising should contain elements of this style, such as complex decoration, stained glass, statues ornamenting the entrance, the idea of reach the skies represented by the building's height, the flying buttress on the structures, and several other elements. And when people look at the final building, they will feel fear, respect, moderation and many other feelings. But these feelings were possible, ONLY because the architect thought about what he would put on the structure.
Answer:
Feminism and intersectionality in film, both combined and separately, help the viewer to understand the internal and external struggles of minorities in an industry that was built on silencing them.
Explanation:
A feminist lens in filmmaking helps to challenge the systemic inequalities women face on a daily basis by focusing on the function of female characters as strong individuals, rather than passive, flat characters they are commonly depicted as, especially in action and horror genres. An intersectional lens starts a conversation on the intersections of gender, race, caste, class, sexuality, religion, and disabilities for people who may or may not have experiences with these things, and helps those who do feel represented and less alone in their differences.
Explanation:
Taking numerous Polaroid or 35mm photographs of a scene from a variety of perspectives, Hockney would then arrange the collection of images into a cohesive body, creating an almost Cubist rendering of visual reality. He called these collages and photo montages joiners.
