Probably because she found the tunnel for only her and her brother to explore and not for Frits which is probably why she changed her mind
Answer:
Joby is crying preparing for the battle. He is so scared to find out what will happen when the time comes.
And in order to comfort him, the general said "God's truth. Thinking of everything ahead, both sides figuring the other side will just give up, and soon, and the war done in weeks, and us all home. Well, that's not how it's going to be. And maybe that's why I cried."
The general regularly motivates and encourages Joby and he makes him realize he is an essential piece to the army.
Answer:
Once you are out of school there will be lots of pressure that you will have to handle, nobody will spoon-feed you, and nobody would even pinpoint where you are making mistakes. Even if you fail in life, you will have to take responsibility on your shoulders.
Explanation:
In his essay "The Importance of a Single Effect in a Prose Tale," Poe writes that he unifies a piece of writing around mood. He writes not primarily to develop a plot or a character but to convey a feeling or what he calls an "effect."
Most often in his stories, Poe wishes to convey a mood or "effect" of horror. He does this through description and imaginative details that relentlessly build up a sense of unsettling terror. For example, in "The Cask of Amontillado," the reader's awareness that Montresor is plotting revenge and the piling up of creepy details about the cold, damp, bone-filled catacombs through which he leads Fortunato builds a mounting sense of tension and deep unease. Similarly, the ebony clock that stops everyone cold when it ominously tolls the hour in "The Masque of the Red Death," reminding people of their mortality in the middle of a deadly plague, contributes to a sense of horror.
Poe also tightens his effects by using a claustrophobic writing style focused on very few characters and often narrated by a person who is troubled or unstable. Poe sometimes horrifies us by putting us into contact with a fevered mind trying to justify its heinous actions, as in "The Tell-tale Heart," or with a claustrophobic nightmare setting, such as that described by the first-person narrator of "The Pit and the Pendulum.
Giving an inanimate object human actions. Such as “the wind howled” or “the trees swayed.”
