<span> flourishing and treacherous would be the answer to this question</span>
Around 1611, tells the story of power struggles on an almost deserted island. Prospero, the exiled Duke of Milan, has enslaved the only native of the isle, Caliban, and he plans and eventually manages to regain his dukedom through use of magic. Several of the characters vie for power in parallel plots. The play was written at a time when England was establishing itself as a colonial power along with other European empires such as Spain, Portugal, and France. The Tempest certainly deals with issues of colonialism in a topical way, especially through the character of Caliban, by alluding to physical and social otherness and financial incentives of colonialism. However, the ambiguous geographical setting together with Caliban’s sympathetic traits and his unresolved status at the end of the play invite the audience to question the legitimacy of power rather than endorsing or criticizing colonialism per se.
The passage, Stubbed by a history of hammer and nails, Tapping his head and Always looked tired is the author’s perspective about her father’s life. Therefore options A, B, and D are correct.
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What is the hammer?</h3>
A hammer is a tool, typically a hand tool, that has a weighted "head" attached to a long handle and is used to strike a specific region of an item. This might be done, for instance, by driving nails into wood, forging metal, or crushing rock. There are much different driving, shaping, breaking, and non-destructive hitting applications for hammers. Traditional professions include percussion music, blacksmithing, and carpentry (as with a gong).
Using a hammer to hit is known as "hammering," as opposed to "prying" or "grappling" using "secondary claws" or "secondary hooks." Carpentry and blacksmithing hammers are typically wielded from a stationary stance against a stationary target as gripped and propelled with one arm in a lengthy downward planar arc, down to add kinetic energy to the impact, pivoting primarily around the shoulder and elbow, with a small but quick wrist rotation just before impact; for extreme impact, concurrent motions of the torso and knee can lower the shoulder joint during the swing to further increase the length of the downward planar arc (but this is tiring).
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Orwell is facing a moral struggle with shooting the elephant, just as he faces the moral struggle of serving a country he disagrees with.
