Answer:
Hello there! I'm Ashlynn ready to answer anything!
___________________________________________________
To start, peer pressure, use of drugs and/or alcohol, promiscuous sex, etc.
___________________________________________________
<em>“When we are open to new possibilities, we find them. Be open and skeptical of everything.”</em>
-<em>Todd Kashdan</em>
__________________________________________________
<em>Have a great day don't let anybody get in your way for having one!! </em>
<em>-Ashlynn</em>
_________________________________________________
The correct answer for this question is C: the first African American in Congress.
All of them except the last two
The statement which explain the irony of Harburg’s description of the bread line is that while millions of Americans were suffering from the effects of poverty, Hearst remained one of the wealthiest individuals of his time.
<h3>Who was Harbug? </h3>
- E.Y (Yip) Harburg, was an American authors and scriptwriter, who is best known for his songs and Broadway manufactures.
- The Wizard of Oz. During the Great Depression, Harburg had to face the troubles of decline on his all income and any outlook of an occupation.
- He was forced to look after for secondary ways to make medium of exchange is The largest and best known of us, like other Americans.
- There was a big rich person, called William Randolph Hearst, who became one of the larger newspaper and magazine proprietors in the US. This is done During the Great Depression, when he starts out to be most productive in his compositions.
- One of the biggest selling points of Hearst’s empire was the use of yellow journalism, making importance on the sob stories and difficult moments of people.
- Harbug was one of the richest man in his time, when millions of Americans were suffering from the effects of poverty.
However, the option [A] is correct.
Learn more about Harburg, refer:
brainly.com/question/878195
Jackson Pollock, Lee Krasner, Willem de Kooning, and Mark Rothko are best-known as pioneers of Abstract Expressionism. But all four were also among thousands of artists and other creatives employed by the government through the Works Progress Administration (WPA) between the years of 1935 and 1943. That the arts would be funded significantly by the federal government—never mind that it would actively employ artists—may well raise an eyebrow today. But working under a subdivision of the WPA known as the Federal Art Project, these artists got to work to help the country recover from the Great Depression, as part of President Franklin D. Roosevelt’s New Deal.
Evidence of impoverishment and a portfolio showcasing one’s skills and commitment to the arts were all that was needed to qualify for the WPA initiative. This and the Federal Art Project’s non-discrimination clause meant that it attracted, and hired, not just white men but also artists of color and women who received little attention in the mainstream art world of the day. These artists created posters, murals, paintings, and sculptures to adorn public buildings.
