Answer:
Encoding.
Explanation:
'Encoding' in the context of the communication process is demonstrated as the process of converting the information or thoughts embodied in the shape of symbols that would function to display the intended idea or thoughts into a coded form that is further required to be decoded by the readers in order to understand/infer it. Therefore, it is illustrated as putting a written, figurative, or verbal form to a message that could be decoded by the receiver to understand the idea or thought of the conveyed message. Hence, <u>'encoding'</u> is the correct answer.
C.) Human characteristics, as "personifying" means something inherits some characteristic of a human, such as sadness, anger, glee, etc.
The poem "Ode to Autumn", written by John Keats in 1819, reflects the theme of growth and maturation in the following lines:
"(...) And full-grown lambs loud bleat from hilly bourn; hedge-crickets sing; and now with treble soft the red-breast whistles from a garden-croft; (...) "
In this poem the author wrote about the Autumn's cycle and the life's cycle, using the last prhases of the poem as the declining of the Autumn' season and the ineluctable end of the life. That is the main reason to write about full-grown lambs and the signing of the hedge-crickets, because when winter is coming the harvest is ended and animals have migrated, so the sounds of the animals mentioned in those lines are recovered only when spring comes.
The end of Autumn then, represent the idea of the declining in the life cycle.
<span>Richie had felt a mad, exhilarating kind of energy growing in the room. . . . He thought he recognized the feeling from his childhood, when he felt it everyday and had come to take it merely as a matter of course. He supposed that, if he had ever thought about that deep-running aquifer of energy as a kid (he could not recall that he ever had), he would have simply dismissed it as a fact of life, something that would always be there, like the color of his eyes . . . .
Well, that hadn't turned out to be true. The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself—that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller . . . purpose, maybe, or goals . . . .
Source: King, Stephen. It. New York: Penguin, 1987. Print.</span>
The answer is B. It reveals the author’s hatred for exaggeration by developing a critical tone.
