Answer:
This story may well be one of O'Connor's most humorous stories. Even though the story as it now stands appears to focus on the attempts of two equally unscrupulous characters to gain an advantage over the other, O'Connor, through the use of color imagery and somewhat obvious symbolism, manages to make the story more than merely a humorous tale. Yet it is the humor, ultimately, which first catches the attention of most readers.
Some of O'Connor's humor is similar, at least in part, to the tradition of such Old Southwest humorists (1835-1860) as Johnson J. Hooper and George W. Harris. Hooper's Simon Suggs and Harris' Sut Lovingood are both similar to O'Connor's Shiftlet. This is especially true in Shiftlet's "swapping session" scenes with Mrs. Crater. These swapping session scenes are also reminiscent of the Armsted-Snopes exchanges in the fiction of William Faulkner. Each of the major characters in O'Connor's story is aware that he, or she, has something that someone else craves, which slowly increases the apparent value of the offer until the final bargain is struck.
Answer:
A portfolio is a set of pictures by someone, or photographs of examples of their work, which they use when entering competitions or applying for work. ... In finance, a portfolio is the combination of shares or other investments that a particular person or company has.
Answer:I saw daffodils that were planted in straight lines, creating an illusion of thousands of them.
Explanation: I picked this one, because it includes important information and is detailed
<span>The "point of no return" in the play is the crisis.
After crisis begins in a play, you cannot return to the previous state, to the state which was before the crisis began. Denouement refers to the conclusion of a story. Complication is where the problem of a play begins. Exposition is the very beginning of a play.
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