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Mrrafil [7]
3 years ago
6

What medium was used to make the Bayeux tapestry?

Arts
2 answers:
icang [17]3 years ago
8 0
It is made out of linen (eight bands sewn together) and is 270 feet long and about 20 inches wide. It was once even longer but part of the tapestry at the end – after the Battle of Hastings<span>– has been cut off. The writing on the tapestry is in Latin. The main stitches used are stem stitching and laid-and-couched stitching.
</span><span>Eight colours can be made out from the tapestry; the five main colours are blue-green, terracotta, light-green, buff and grey-blue. There are also places where very dark blue, yellow and a dark green have been used. The colour of skin has been left as the colour of the linen.
</span>
HOPE THIS HELPS!!

vichka [17]3 years ago
4 0
Linen and colorful yarn all woven together.
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Before you read this, this is a bunch to read, so be ready! :)

Arles 1888: Vincent van Gogh paints sunflowers. He is obsessed with the colour yellow, seeing it as uplifting. Over and over he produces still lives of sunflowers, all in an attempt to lure Paul Gauguin into coming to Arles. Van Gogh dreams of an artistic colony, a place where artists could paint without any restrictions from bourgeois Paris, and sees Gaugin as the perfect partner.Paul Gauguin is not keen on moving in with the socially awkward and shy Van Gogh. He finally reluctantly agrees only because of a deal he makes with Theo van Gogh, Vincent’s brother. Theo would finance their entire livelihood, including Gauguin’s journey down to Arles, for an exchange of one painting per month. Gauguin goes, never with the intention of staying for a long time, though certainly not anticipating a fight that would mark one of the biggest myths of the History of Art.

Tahiti 1901: Gauguin has exiled himself to French Polynesia and now paints sunflowers himself. Vincent has been dead for 11 years, yet Gauguin cannot seem to bring himself to forget him. He mentions him over and over in his autobiography “Avant et Après”. Though he is condescending in his appraisal of van Gogh’s artistic talent, claiming that it was he who had first started experimenting with the colour yellow, there is an element of melancholy in the description of his peer. Gauguin mentions that thinking of van Gogh helps him in times of depression, as he knows no matter how much he is suffering, van Gogh suffered double.

Van Gogh and Gauguin are an odd pair in the History of Art. They share so many similarities and were still the complete opposite in character; their friendship seems one of the most ill-matched and yet most perfect in the way they stimulated each other’s creativity.

Both were self-taught, who had turned to art at a relatively late age- Vincent at the age of 27, Paul at the age of 33. Both were disgusted with Paris Bourgeois society and their taste in art and were united in their interest in the exotic and their wish to travel. They were both fascinated by Japanese prints, incorporating elements of them into their art.

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