Sorry to answer you so late but <span>"Humanism is a philosophical and ethical stance that emphasizes the value and agency of human beings, individually and collectively, and generally prefers critical thinking and evidence (rationalism, empiricism) over acceptance of dogma or superstition. The meaning of the term humanism has fluctuated according to the successive intellectual movements which have identified with it." I got this from Google.com
I hope this helped! =)
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Answer:
know that you are wrong
Headstrong we're Headstrong
Back off I'll take you on
Headstrong to take on anyone
I know that you are wrong
This is not where you belong
I can't give everything away
I won't give everything away
Explanation:
Answer:
During the Renaissance, the music had less theological themes than Medieval music, and the Renaissance was more polyphonic than the Medieval Era, which was mostly monophonic.
The printing press allowed chorales to be published, increasing their popularity. It also allowed for written music to be easier to read/access and more easily distributed.
Music in the Renaissance became more complex and less religious, which would be mirrored by the Enlightenment more than a century later.
Music was an essential part of civic, religious, and courtly life in the Renaissance. While the music was becoming less religious, the most important music of the early Renaissance was composed for use by the church, with polyphonic masses and motets in Latin for important churches and court chapels.
Composers, similar to remixes today, were able to use previously heard melodies, scales, and ostonados in order to create certain emotions in the listener by association. Reusing riffs made composing easier, as one didn't have to spend countless hours trying out different patterns, and could instead copy a melody completely, or shift it into a different key.
Answer:
Muybridge invented the zoopraxiscope in 1879, a machine that allowed him to project up to two hundred single images on a screen. In 1880 he gave his first presentation of projected moving pictures on a screen to a group at the California School of Fine Arts, thus becoming the father of motion pictures.
