Answer:
Calixte Dakpogan's Vodun heritage is intrinsic to his work. Born to a family of blacksmiths, he grew up in the Goukoumé district of Porto Novo, Benin, a district dedicated to Ogun, the god of iron. Ogun is the principal divinity worshiped by the Dakpogan family. The tradition of metalworking has been carried from father to son since their ancestor Sabgo Ayato worked as a blacksmith in the royal court of King Toffa.
Explanation:
Calixte Dakpogan's Vodun heritage is intrinsic to his work. Born to a family of blacksmiths, he grew up in the Goukoumé district of Porto Novo, Benin, a district dedicated to Ogun, the god of iron. Ogun is the principal divinity worshiped by the Dakpogan family. The tradition of metalworking has been carried from father to son since their ancestor Sabgo Ayato worked as a blacksmith in the royal court of King Toffa.
The abundance of car wreckages in Porto Novo has provided Calixte Dakpogan with an inexhaustible source of materials. He began to use scavenged car parts to create standing figures, following directly in the tradition of Fon statues made from scrap iron in the early nineteenth century. In 1992, he was commissioned to create a series 100 of these works for Ouidah 92: The First International Festival of Vodun Arts and Cultures. Their contribution remains on permanent display. Today, after an interval of one and a half centuries, the relationship between Fon sculptures and the work of Dakpogan transcends purely visual or technical aspects, being intimately related with the creative process.
Since 1990, Calixte has worked independently, using salvaged metallic and plastic elements to create anthropomorphic figures and masks. A gas tank becomes a body or headlights become teeth. Two formless segments become a recognizable personage. His creations, full of talent, humour, and stories, are imbued with a contemporary imagination and an astounding inventiveness
Answer: picachu is the final answer
Explanation:
i just know
Answer: i think this is right
Explanation: When we talk about a melody-first songwriting process, we assume that we’re talking about writing a song where thinking up the melody, or at least a bit of a melody, is the first step. Then once we’ve got a good chunk of that working and sounding good, we then try to figure out what kind of chords are going to support it.
In fact, that’s not exactly the case. Any good musician (songwriter or otherwise) would find it next to impossible — and I might even say undesirable — to work on a melody without having any kind of notion what the supporting chords are. So in fact, a melody-first process means a melody and chords process.
Answer: Answer is A. A tint is a mixture of white, which also reduces the darkness.
Explanation:If you think about it wouldn't be D. because a combination of a color with black to make it darker is a shade. C. is about texture and feel. B. is like a hue a hue is the mixture of a shade and tint, a shade is a color mixed with black. Like the opposite of a tint. Which leaves us to A.
Myth something that is not true, legend someone that cause an important event of the past, beliefs s
