Answer:
At Caesar’s funeral, Anthony refers to Brutus as a nobleman. Even after conspiring to kill Caesar and going to war, and taking his own life, Antony says Brutus was the "noblest Roman of them all''. Explain the irony and purpose of this characterization.
The irony in the statement "noblest Roman of them all'' is that Brutus was hesitant when it came to killing Caesar. The reason that you would consider that as irony is because Brutus says “If there be any in this assembly, any dear friend of Caesar's, to him I say that Brutus' love to Caesar was no less than his. If then that friend demand why Brutus rose against Caesar, this is my answer: Not that I loved Caesar less, but that I loved Rome. As you can see Brutus only killed Caesar to protect Rome.
Explanation:
Answer:
a. after; at the same time as
Explanation:
According to the James-Lange theory, we experience emotion <em>after</em> we notice our physiological arousal. According to the Cannon-Bard theory, we experience emotion <em>at the same time as we</em> become physiologically aroused. In James-Lange theory, a stimulus is the cause of the arousal of our body's physiological response. So according to this theory, physiological arousal is first and then we feel the emotion. According to Cannon-Bard's theory, also known as the thalamic theory of emotion, both the emotion and the physiological arousal happen simultaneously.
Answer:
A. a slow, repetitive pattern and sudden chaos
Explanation:
The correct answer among the choices provided is option B. It is not a difference when it is said that the parliamentary debate is the same as the Lincoln-Douglas debate style. It is because Lincoln-Douglas debate style is one-on-one. Parliamentary debate requires a team.
Shakespeare's scenes are not meant to sound like real dialogue.
Explanation:
<u>Theater in the time of Shakespeare was yet to focus on the realistic aspect of dialogue</u>. It was often lyrical, musical and indirect.
<u>Shakespeare himself used verse extensively in his plays resorting to prose very sparingl</u>y in the tragedies and a little more in the comedies and the problem plays.
<u>The dialogue is not supposed to be realistic in content but in theme as it is what someone might say in a situation</u>, but it is highly ornamented and loaded in Shakespearean double entendres and purposes.
