The Prophet Muhammad reminded the Muslim world, “We are a single community, distinct from others.” The distinction shapes the Muslim’s religious identity and underlines the nature of the Islamic ideal, whether the purity of the monotheistic concept, the uncompromising quest for morality, or the lifelong seeking of knowledge. It also accentuates the common historical thread running through the international Muslim community.
In Global, African, and Near Eastern studies, the role of the African Muslim may be the most overlooked by Western academia, and involve the most tenacious myths about the spread of Islam. The lack of African sources allowed scholars to make false assumptions as they evidenced the old axiom, “scholarship follows the national flag.” The dominance of Western scholarship resulted in complete silence about African creativity, innovation, exploration, trade, and skills in scholastic writings and textbooks.
In 1945, British historian Hugh Trevor Roper galvanized the Eurocentric view when he wrote, “the only history in Africa is the history of Europe in Africa.” Given the self-perpetuation of cultural exceptionalism, it is not surprising that African history remains mythologized under the shadows of Euro-American history. Yet, the dissemination of Islam in Africa by first Arabs and then African Muslims, and the role that Islam and Muslims have played in the development of Africa, are essential to a balanced and accurate understanding of African history.
Answer: D. All of the above
Explanation:
All of the following are important in interior design.
Answer: to be honest, a movie called Padmaavat
Explanation: Although most Bhansali movies are aesthetically pleasing, especially Padmaavat, the way that he writes his characters in this movie are a bit off. Especially in the movie Padmaavat, he writes the character Alauddin Khilji in a more barbaric way, although in real life he was a mild mannered person, and the character Ratan Singh as a calm and collected man. So it seems like as if Bhansali is making Alauddin to be a rogue and barbaric Muslim king and Ratan the righteous and heroic Hindu king. Bhansali also shuts out the fact that Alauddin may have been in a relationship with his slave general Malik Kaufur, and that Alauddin might have even been bi or gay, but in the movie, you see no example of them even being close in a romantic way. So, what I would change is Alauddin’s character, and make him a more proper and calm character and reprsent Alauddin and Malik’s relationship. With the character Padmavati, I feel like that they represented her in a different light. I feel that they didn’t really represent her Sinhalese heritage. Also in the Ghoomar scene, a Rajput queen would probably never dance in front of anyone, they would be watching other dancers. Also the top Deepika wore showed her bosom, which Rajput queens would never show. So, I would try to positively change all the factors I just stated in this paragraph and hope that Sanjay Leela Bhansali will continue to create more beautiful movies.
Answer:
Music written in 4/4 time is counted as four beats per measure, while music written in 3/4 time is counted as three beats per measure.
Explanation:
