Answer:
They had to fear bullets and guns.
Explanation:
Bullets and guns can kill you
Answer:
The sixteenth-century artist and critic Vasari—himself a mannerist—believed that excellence in painting demanded refinement, richness of invention, and virtuoso technique, criteria that emphasized the artist’s intellect. More important than his carefully recreated observation of nature was the artist’s mental conception and its elaboration. This intellectual bias was, in part, a natural consequence of the artist’s new status in society. No longer regarded as craftsmen, painters and sculptors took their place with scholars, poets, and humanists in a climate that fostered an appreciation for elegance, complexity, and even precocity.”
Explanation:
Along with Brazilian artists Amilcar de Castro, Franz Weissmann, Lygia Pape and poet Ferreira Gullar, Clark co-founded the Neo-Concrete movement.
Answer:
Forms with no projecting parts that could break
Explanation:
Egyptian sculpture follows a strict design style. In order to be faithful with the real representation, each body part had to be of a certain size and proportion, with its shoulders and face facing the viewer. The male statues were darker than the female ones; in the sitting statues, the hands had to be brought to their knees. Another important point, however, is the absence of the traditional projecting forms which can be found in other cultures, especially in the Greek culture. For the Egyptians, the sculpture should portray the Pharao or the God with perfection, but because of their art conception and the no use of traditional perspective, their statues didn't have any projecting part.
