Answer:
Narration
Explanation:
The plot of the story 'The Handsomest Drowned Man in the World' by Gabriel García Márquez belongs to genre of magic realism. The narration develops the character of Esteban. From the beginning when the children see him as 'whale' to 'the tallest man, strongest, most virile, and best built man'. Women of the village sigh and say 'he' ours'. The arrival of Esteban transforms the whole village, men work to find out a suitable burial for him, women bring more flowers for him. Everything in the village will be different since 'memory' of Esteban will remain forever and village is itself called 'Esteban's village'.
B. Myths are based on religion and only apply to two specific religions.
This is pretty much plain wrong and can be debunked by five seconds of research.
<span>European union , for globalization politically
</span><span>international tropical timber treaties for environmentally
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Each stanza develops the speaker's thoughts on death and beauty, moving from an acknowledgment that life is temporary to her plea that beauty save the moment by wounding her.
- Sara Teasdale's "Blue Squills" begins conventionally enough. The speaker describes the white flowers that cover the cherry tree in the first two stanzas and refers to blue squills, which are also flowers, in the third.
- She claims that there were millions of Aprils before she was born and had the opportunity to appreciate their beauty, and that there will be many more after she is gone.
- This was a sentiment that had been expressed many times before and would be expressed many times after her death.
Thus the correct answer is Option B.
To learn more about Sara Teasdale, refer: brainly.com/question/28035688
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The complete question is mentioned below:
Which answer BEST describes the way the stanza structure of "Blue Squills" reflects and reinforces its meaning?
a. Each stanza describes a different aspect of April, moving from the whiteness of the cherry bough and the blue of the flower (stanza 1) to their flames (stanza 2) to the pain that Spring causes her (stanzas 3 and
b. Each stanza develops the speaker's thoughts on death and beauty, moving from an acknowledgment that life is temporary (stanzas 1 and 2) to her plea that beauty save the moment by wounding her (stanzas 3 and 4).
c. Each stanza develops the speaker's thoughts on death and beauty, moving from her thoughts about the past (stanza 1) to her thoughts about the future (stanza 2) to her preoccupations in the present (stanzas 3 and 4).
d. Each stanza describes a different aspect of the tree and the flower, moving from the whiteness of the cherry bough (stanza 1) to the blue flame of the flower (stanza 2) to the shaking and shimmering of both (stanzas 3 and 4).
