Answer:
Personification
Explanation:
Personification is the figure of making non human objects have human traits, and you are making water shout, that's personification.
Starting with its very title, "Song of Myself" is indeed a poetic embodiment of the transcendentalist philosophy. Whitman (or the speaker who calls himself Whitman) doesn't sing and praise some outside ideals or occurrences, but himself. This is the transcendentalist ideal of self-reliance, explained in Emerson's eponymous essay. It says that the greatest strength of every individual is his/her own self, independent, free from authority and restraints, liberated and self-sufficient. Both Emerson and Whitman, each in his own right, have written a giant ode to individualism.
Another transcendentalist ideal embodied in Whitman's famous poem is relationship with nature. In his view, nature is the source of genuine beauty and wisdom, uncorrupted by the touch of social and political institutions. Whitman says "<span>I will go to the bank by the wood and become undisguised and naked", which means that nature is the only realm of sincerity, and people can only be true to themselves if they are independent of humanity but close to nature.
Just like Transcendentalism has been a unique, authentic American take on Romanticism, Whitman has been the pillar of American national and cultural identity in poetry. He has taken the very American notion of individualism (defined and praised by transcendentalists) and put it in his poetry, most notably in "Song of Myself" as the most self-obsessed, yet not egotistical account of modern American poetry.</span>
Fire would be the answer. The car needs gas to burn. The fire needs wood to burn.
Symbol Analysis
Obviously she's the main character and a huge part of this poem, but is the Lady of Shalott a major image? Lancelot is almost buried in description, but we hear almost nothing about the Lady herself. Hair color, eyes, height? Those things aren't all crucial, but they'd help us to build a mental picture of our main character. In some ways, it feels like the speaker is trying to hold back an image of the Lady, to make her deliberately hard to imagine.
<span><span>Line 18: The first time we hear her name is as the closing line of the second stanza. We're going to hear the same thing a lot more before the poem is over. The Lady's name is a refrain that the speaker uses over and over. Her name almost starts to hypnotize us, like a magical spell.</span><span>Line 71: Don't worry, we won't take you through all of the spots where the poem talks about the Lady, but we thought this one was worth mentioning. This is the place where the Lady admits her frustration with her life, and says she is "half sick of shadows." While we still don't get an image of her face, we can feel the strength of her personality in this moment, a glimmer of the independence and strong will that is about to blossom.</span><span>Line 153: This is the end of the Lady's transformation, the moment of her death. She has moved from slavery and imprisonment to freedom, but it has cost her everything. Before she sang, now she is quiet. She was warm, now she is frozen. All of these are powerful images of loss and change. Eventually she becomes a sort of statue, a pale shape in a coffin-like boat.</span></span>
Answer:
Image result for Write 3 to 4 sentences describing how the huntsman’s motivations advance the plot in "Little Red Riding Hood.”\
The huntsman's motivations advance the plot because they lead him to the grandmother's house. He wants to make sure she is okay. In doing so, he advances the plot to the climax, when he discovers that the wolf has eaten both the grandmother and Little Red Riding Hood. He then saves the day and rescues them.
Explanation:
