Answer:
In the final chapter, Jekyll's letter highlights one of the main themes of the novel, the dual nature of man. It is this concept that caused him to pursue his disastrous experiments that led to his downfall. Hyde, the personification of Jekyll's purely evil characteristics, revels in the freedom of an anonymous existence. Although he successfully distills his evil side, Jekyll still remains a combination of good and evil. Thus, when transforming back and forth, his evil side grows stronger and more powerful after years of repression, and is able to take over completely. In this way, Jekyll's experiments are the opposite of what he hoped. Interestingly, as is repeatedly mentioned throughout the novel, Hyde is a small man often called dwarfish, while Jekyll is a man of large stature. Thus, the reader is left to assume that Jekyll's evil side is much weaker and less developed than his good side. However, appearances can be deceiving. In fact, Hyde's strength far out powers Jekyll's.
In his letter, Jekyll clearly states that he felt no guilt about Hyde's actions, as "Henry Jekyll stood at times aghast before the acts of Edward Hyde, but the situation was apart from ordinary laws, and insidiously relaxed the grasp of conscience. It was Hyde, after all, and Hyde alone, that was guilty." To the reader, this explanation seems ridiculous, because Hyde is in fact part of Jekyll, and a being that Jekyll created. Therefore, clearly Jekyll is responsible for the man's actions.
Explanation:
Answer:
Arthur Dimmesdale, for example, is morally ambiguous because of his exertion to ensconce his identity as the father of Pearl. Moral ambiguity is emphatically significant in The Scarlet Letter because not only does it act as an attribute for characters, but is an extensive theme in The Scarlet Letter as well.
Answer:
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Explanation:
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Answer: Tybalt does not wish to fight him. And also that Tybalt knows Romeos love.
Explanation:
Answer:
sir patrick spents
Enplane
"Sir Patrick Spens" is one of the most popular of the Child Ballads (No. 58) (Roud 41), and is of Scottish origin. It is a maritime ballad about a disaster at sea.
