Answer:
5 Fun Facts on Costume designer Sandy Powell Cinderella Dress. Let It Flow: 1) The dress needed to seamlessly float behind Cinderella as she ran down the stairs to her beautiful carriage before midnight. In order for the gown to have a romantic glow in the moon light and appear weightless.
Answer:
I believe the answer is D: to show the routine and distractions of her everyday life.
Answer:
Start your contour line drawing-begin transferring lines you see in the original photograph onto your drawing paper by going one square at a time. I recommend starting at the top left or right corner and working your way across and down. You can block off areas you aren't drawing to help you focus on one square at a time, like this:
Explanation:
i dont get it?
Answer:
False
Explanation:
Animation
Lets think about another word. Animated.
This is a word that you can occasional see describing a person. For example:
"He was animatedly talking to the shop owner"
This means something similar to:
"He was excitedly talkming to the the shop owner"
Excited can also be though of as energetic.
Energetic is movement and quickness.
This is the exact opposite of stillness.
So it is false that animation is a still image.
Hope this helps!
Lighting has come to be an important component of cinema's visual design. It is widely recognized that in film, as elsewhere, it can create a substantial emotional impact. A primordial response to darkness and light is a deep-seated element of human psychology that filmmakershave harnessed in order to influence the ways viewers respond to narrativedevelopment. On the one hand, deep shadows can make a character seem untrustworthy or conceal a host of horrors. On the other, bright, diffused lighting can provide comfort and reassurance or create the impression of an angelic countenance. Extremely bright light can cause discomfort, though, and can even be used as a weapon, as inRear Window(1954) andThe Big Combo(1955), where it dazzles the villains and halts their advance.
Brightness is only one variable of lighting that can contribute to the effect of a scene. The choices the cinematographer makes about what kinds of lights will be used, how many there will be, and where they will be placed all require careful consideration. Moreover, color andblack-and-white cinematography each allows for different lighting effects. Colored lighting can give rise to a range of subjective impressions that may be systematically used throughout a film for atmosphere, as in the moody and heavily stylizedBatman(1989), or for metaphorical significance, as inVertigo(1958) when Scottie (James Stewart) persuades Judy (Kim Novak) to transform her appearance into that of the dead Madeleine (Novak). When she emerges from her bathroom made over into Madeleine's image, she is bathed in a green light, its supernatural associations accentuating theuncanniness of the resurrection of her alter ego.
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