Ac<span>cording to this passage, Tom Stoppard is a playwright. that is a true option since the passage says they wrote a play. </span>
How to make Honeydew Sorbet!
Supplies needed:
1 honeydew
1 knife
1/4 of a cup of honey
1 food processor
1 tray with parchment paper
1 loft pan
1 freezer
1. First, cut one honeydew up into slices.
2. Next, cut those slices into bite-sized pieces.
3. Spread them out into a tray with parchment paper and freeze them in a freezer.
4. Now, add the melon pieces into a food processor.
5. Add 1/4 of a cup of honey and combine until they are mixed evenly.
6. Finally, put them into a loaf pan and freeze until frozen completely.
Hope this helped!
Answer:
Quality is not important to me as an individual. Democracy presupposes relationships of political equality in which citizens equally share authority, but in today’s divided public square, democratic institutions are challenged by disagreement about how such institutions should be organized, and by antidemocratic politicians who exploit uncertainty.
Explanation:
I hope this is correct and I hope this helps. My apologies if it's wrong.
Ani analyses how "DeLuca's haphazard patchwork of reasoning and evidence leaves the reader wondering whether he believes his own claim". According to Ani he quotes not only supporters of the Nobel price committee but also detractors. He includes a sampling of Dylan's lyrics and leaves them to speak for themselves.
The evidence (quotes) from the article that best supports Ani's evaluation are:
1. "And it’s a good thing [his lyrics] have been published, because if you’ve gone to see the famously sneering and syllable-garbling Dylan play live in recent years, you probably couldn’t understand a word he was singing."
We could interpret this quote as contradictory, it is not necessarily for or against Dylan's Nobel Price. You could say he is confusing his readers, he seems to be against the sung lyrics and for the published ones.
2. "On one end of Dylan's songwriting spectrum is the vengeful, resolute, and timeless 'Masters Of War' . . . . It’s high dudgeon at its finest: ‘Let me ask you one question: Is your money that good? / Will it buy you forgiveness? Do you think that it could?"
Ani also says that he does a sampling of the lyrics and allows them to speak for themselves. This excerpt shows part of a lyric from the song "Masters of War". He is not necessarily saying its a "good" or "bad" lyric, he describes it as: "vengeful, resolute, and timeless" the reader must decide about its quality or if it is the kind of work that deserves a Nobel Price.
