Answer:
B). Attending communication workshops may help advance your career.
D). The director of customer service was unaware that accounting had automated billing.
Explanation:
Word-choice always play a vital role in conveying the intended meaning of a specific message or idea. The use of simple and familiar words help communicate with a wider audience sharply while intricate and complex words are employed to address an educated audience(of that particular domain).
As per the question, options B and D appropriately employ the plain English and standard words as they convey the desired idea precisely in a compact form. This is reflected by the <u>use of active voice and explicit yet specific message like 'attending communication workshops may help to advance your career' that explicitly states the intended idea</u> without fabricating or complicating it. <u>'The director of.....billing' also portrays the idea clearly and directly with the use of simple and usual words</u>. The other two options fail to present the idea in a simple yet familiar language.
I don't think its foolish if someone wants follow their dream they can do it if they put their head to it. I want to be the 1 Hispanic/woman president.
Answer: individual vs self
Explanation: (thAts all I know at this moment)
She is feminist, because feminists believe in womens rights
In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
