Answer:
During the Nara Period (710-794 CE) the Japanese imperial court was beset by internal conflicts motivated by the aristocracy battling each other for favours and positions and an excessive influence on policy from Buddhist sects whose temples were dotted around the capital. Eventually, the situation resulted in Emperor Kammu (r. 781-806 CE) moving the capital from Nara to (briefly) Nagaokakyo and then to Heiankyo in 794 CE to start afresh and release the government from corruption Kyoto was the centre of a government which consisted of the emperor, his high ministers, a council of state and eight ministries which, with the help of an extensive bureaucracy, ruled over some 7,000,000 people spread over 68 provinces, each ruled by a regional governor and further divided into eight or nine districts. In wider Japan, the lot of the peasantry was not quite so rosy as the aesthetics-preoccupied nobility at court. The vast majority of Japan’s population worked the land, In terms of religion, Buddhism continued its dominance, helped by such noted scholar monks as Kukai (774-835 CE) and Saicho (767-822 CE), who founded the Shingon and Tendai Buddhist sects respectively. They brought from their visits to China new ideas, practices, and texts, notably the Lotus Sutra (Hokke-kyo) which contained the new message that there were many different but equally valid ways to enlightenment. There was also Amida (Amitabha), the Buddha of Pure Land Buddhism, Following a final embassy to the Tang court in 838 CE, there were no longer formal diplomatic relations with China as Japan became somewhat isolationist without any necessity to defend its borders or embark on territorial conquest. However, sporadic trade and cultural exchanges continued with China, as before. Goods imported from China included medicines, worked silk fabrics, ceramics, weapons, armour, and musical instruments, while Japan sent in return pearls, gold dust, amber, The Heian period is noted for its cultural achievements, at least at the imperial court. These include the creation of a Japanese writing (kana) using Chinese characters, mostly phonetically, which permitted the production of the world’s first novel, the Tale of Genji by Murasaki Shikibu (c. 1020 CE), and several noted diaries (nikki) written by court ladies, including The Pillow Book by Sei Shonagon which she completed c. 1002 CE. Other famous works of the period are the Izumi Shikibu Diary
Explanation:
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The Bill of Rights are the first 10 amendments in the Constitution. These were put in after people wanting certain freedoms and rights in America. Federalists supported the amendments along with the Constitution because it gave people individual liberty, but Anti-Federalists felt as if the Constitution and its amendments gave the President and government too much power and the people should essentially self-govern and make their own laws.
This passage is the epigraph to the novel, telling the reader what the book is intended to be and mapping out some of its basic stylistic and thematic ground. The statement that the book is not “an adventure” separates it from most war novels in that it will dispense with elements of romance and excitement in favor of a stark, unsentimental presentation. The clarification that “death is not an adventure to those who stand face to face with it” suggests that books that tell stories of war as though they were exciting adventures do not do justice to the actual experience of soldiers. Death may be an adventure to the reader, sitting comfortably at home, but it is anything but that to the soldier who is actually confronted with the possibility of being blown to pieces at any moment. The epigraph also declares that the book will be the story of an entire generation, one “destroyed by the war” even if not actually killed off by it. The epigraph thus opens the novel’s exploration of the effect of the war on those who fought it; war is a transforming force that not only injures and traumatizes but also annihilates selfhood. hope this helps