The Prophet Muhammad reminded the Muslim world, “We are a single community, distinct from others.” The distinction shapes the Muslim’s religious identity and underlines the nature of the Islamic ideal, whether the purity of the monotheistic concept, the uncompromising quest for morality, or the lifelong seeking of knowledge. It also accentuates the common historical thread running through the international Muslim community.
In Global, African, and Near Eastern studies, the role of the African Muslim may be the most overlooked by Western academia, and involve the most tenacious myths about the spread of Islam. The lack of African sources allowed scholars to make false assumptions as they evidenced the old axiom, “scholarship follows the national flag.” The dominance of Western scholarship resulted in complete silence about African creativity, innovation, exploration, trade, and skills in scholastic writings and textbooks.
In 1945, British historian Hugh Trevor Roper galvanized the Eurocentric view when he wrote, “the only history in Africa is the history of Europe in Africa.” Given the self-perpetuation of cultural exceptionalism, it is not surprising that African history remains mythologized under the shadows of Euro-American history. Yet, the dissemination of Islam in Africa by first Arabs and then African Muslims, and the role that Islam and Muslims have played in the development of Africa, are essential to a balanced and accurate understanding of African history.
Answer:
i think it would be create a social media account the third one
Explanation:
because everyone these days are on social media so people will be more drawn to the art especially other artists. like me i love to sketch!!(:
hope this helps
Answer:
C. Shanh adApted and combined newspaper photographs of the trail to create a powerful, abstract composition.
Explanation:
I majored in Arts
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4. Identification, description, and the interpretation of the content of images.
Explanation:
<u>Iconography is literally translated to “image writing”, and as such, it studies interpretation of the content that is presented on the image or painting. </u><u>It can describe what is on the image</u> – the number of figures and items, placing, description, gestures – <u>but it also classifies the elements and symbols that show up.</u> It also explains various symbols and decodes them, and is, therefore, an important part of the semiotics.
Over the course of art history, part of iconography started focusing more on Christian art, its symbolism, and artistic expressions.
