1. Colour is the visual property of the pigment of an object that is detected by the eye and produced as a result of the way the object reflects or emits light. The human eye is capable of seeing millions of colours, making it one of the most diverse and powerful elements of art.
Each color has three properties—hue, value, and intensity. Hue is the name of a colour. Value is a colour’s lightness or darkness, which is altered when black or white is added. Intensity refers to the intensity of a colour, often measured by boldness or dullness.
Example of complementary colours in art, Hiroshige uses red and green to create contrast.
2. LINE
Line is an element of art defined as the path of a point moving through space. There are many types of line in art. Lines may be continuous or broken, and can be any width or texture. The great variety of line types make them an especially useful tool in artworks.
Example of gesture lines in art, Marino Marini uses big swooshing gesture lines that capture the action and energy of the subject.
3. SHAPE
A shape is an enclosed area of space created through lines or other elements of the composition.
Example of geometric shapes in art, Picasso uses circles, triangles, crescents, and rectangles.
They show the ways in which the government manipulated the culture to get people to buy more consumer goods, thus boosting the economy
Answer:
Etruscan influence on ancient Roman culture was profound and it was from the Etruscans that the Romans inherited many of their own cultural and artistic traditions, from the spectacle of gladiatorial combat, to hydraulic engineering, temple design, and religious ritual, among many other things.
From 1810 to 1940 the population of southern Michigan (hereafter designated as Lower Michigan) increased from five thousand to five million persons. As such changes go, this is a rather amazing rate of increase. The growth and distribution of population provide the basic historical foundations-economic, social, and political-for the development of Michigan into the state we know today. By 1860 Michigan was a democratic community of farmers, artisans, and lumbermen. It was derived mainly from New England, New York, Pennsylvania, and Ohio, with some immigrants from Canada, Great Britain, Ireland, Germany, and Scandinavia.
In 1810, 4762 people lived in Michigan territory. By 1820, the population was 8096, and the three largest towns were Detroit, Mackinac, and Sault Ste. Marie. By 1850, 34% of the population were immigrants from New York State. Michigan fever in the 1830's was fueled by good land and the Erie Canal, but it was extended due to the copper boom of the 1840's and the iron ore boom shortly after that. In 1838, the furniture industry began in Grand Rapids, as small lumber mills began dotting the landscape. Out-migration from 1970-90 totalled nearly a million people, or 10% of the 1970 population. Why? 1980's recession and loss of jobs.
Michigan’s population growth can be divided into three periods. The first period covers the years 1810 to 1850, portraying the settlement of the southernmost counties. The second period, 1850 to 1910, covers the decades of settlement in the central and northern areas, and of continued growth in the previously settled southern area. The third period, from 1910 to 1940, highlights the urban dominance of southeastern counties, the relative stability of the central area, and the decline in population of the northern area.
